File this one in your "Where and how do you come up with your characters?" file.
Sooner or later, if you write and publish fiction, you're gonna have someone ask you this question.
I've answered this one many, many times, but for the purposes of this blog post, I'm going to focus on the most recent time I answered it. And I did so by talking about "barnacles."
Of course I'm not talking about the actual crustaceans found accreted to the hulls of ships. "Barnacles" in this instance is a metaphorical reference to a particular type of person everyone encounters over the course of their lives: unwanted (or at least unsought-after) connections with people they have no interest in connecting with.
Think Spike and Chester from Warner Brothers cartoons.
The prototypical symbiotic relationship. |
Or Jim and Michael from The Office.
Or, for that matter, Michael and Dwight from The Office.
For most of us, barnacles come and go. Our personal barnacles attach themselves to our hulls as the result of a work relationship. It's often a case of changing jobs giving our metaphorical hulls a good, hard scraping.
Recently my wife and I were talking about a couple of my own latest work barnacles, and how each of them could make a great fictional character in one of my stories, whether protagonist, antagonist, or "plucky comic relief." My wife, in so many ways the most perceptive of women, pointed out something I had never given much thought to-something I think I always understood at a core level, just never really articulated it before.
In a phrase: the best fiction tells relatable stories about the human condition.
And since a "barnacle" is something everyone experiences at one time or another, what could be morevrelaqtable than writing about that experience?
After all, the world is full of barnacles. Everyone reading this can relate to this experience: the coworker who gets super graphic about his (nearly always his) dates. The neighbor who thinks you're as concerned as they are about a certain given "bad element" (Like, I don't know? Shriners?) moving into the neighborhood. The friend-of-a-friend you always seem to see at social events who thinks you two have bonded over some tenuously shared experience ("You were in the Navy? My brother was in the Navy!"), and defines you thusly ("My squid buddy! Glad you could make it, man! Let's talk patrol boats!").
What's more, everyone who reads this is also likely to have been (or is currently serving as) a barnacle in some else's life. Yep, in one way or another, we're all barnacles to some degree.
And it got me thinking: I have based characters on friends. I have based them on folks I may have met only once, with the interaction for some reason or another being incredibly memorable. I have based them on people I despised (or even still despise, present tense).
But–and I know that I might well be late to the party on this, because there are a lot of writers out there who are a hell of a lot more on the ball than I am!–I have never really based a character on someone who persistently annoyed me, day in, day out.
And I think it's high time I did.
On second thought, maybe instead of filing this one under "Where and how do you come up with your characters?", we ought to file it under "Writing Truths that are self-evident to most intelligent life in the Universe, but about which Brian is, as usual, Late to the Party"?
How about you? Any "barnacles" in your experience who may have provided fodder for your fiction? Please drop a line and share about them in the Comments section.
And as always-
See you in two weeks!
Oh, I've used barnacles in stories. I remember one case where my barnacle in real life read the story in which they were the perfect schlemiel and said, "I recognized all your characters. When are you going to use me in one of your stories?" I told that person "When I find the right plot line."
ReplyDeleteEve- how did I know you were one to utilize this aspect of life's rich pageant in your fiction? Oh, right, because I have READ your stuff! And everyone reading this piece ought to as well!
DeleteYes! I do sometimes create victims and villains with a certain amount of historical truth :) Love the term barnacles, Brian!
ReplyDeleteThanks Melody!
DeleteGood post, Brian. It's funny you should write about barnacles today! I was thinking about them this a.m. while fixing husband's breakfast. (He is not a barnacle, even though we've been together 26 years now.) I don't think I've used any of the barnacles I've known in a story yet, & I'm embarrassed to realize I've been one myself once or twice in the past.
ReplyDeleteWow, Elizabeth, that's really self-reflective. I wish more people were better at peering inside.
DeleteWhat a great response, Elizabeth. Thanks!
DeleteLate to the party's okay as long as you bring crab salad.
ReplyDeleteYes, I can think of a couple of people.
A variation? I wrote a story for a British project that had an obnoxious heroine. Readers started out despising her, but by the end, they felt much sympathetic. As her character arced, the reader learned more about her, that she had good qualities and her bad points could be attributed to terrible parents. Further, she grew as a person, making up for many sins and omissions. Does that count?
Hey Leigh- HELL YES it counts!
DeleteGreat post. I think of people I knew in high school or college — friends then, but friendships that did not survive the distance after — who come back into your life (often via Facebook) and try to leverage the past into the present:
ReplyDelete“Hey, remember those great times in the dorm? Will you edit my manuscript for me? I can’t pay much if anything, but hey, we’re pals, right? I’ll try to do something for you when I can.”
I’m reading now a fairly good thriller in which a man in his thirties returns to his small town and is instantly co-opted by his high school friend — with whom he hadn’t stayed in touch — into a revenge scenario against the friend’s high school nemesis, without knowing the full story. And then the nemesis fixes his sights on him. I think it works in part because it’s likely a familiar dynamic to many: the old friend whose life peaked in high school and can’t or won’t move on.
Holy Cow, I gotta read that one!
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