Showing posts with label Orca Books. Show all posts
Showing posts with label Orca Books. Show all posts

28 July 2018

A Million Tiny Steps


by Melodie Campbell (Bad Girl)

I'm paraphrasing Jane Friedman here, when I say:
"Success takes a million tiny steps."


People always ask me what's the hardest part of being a college fiction writing teacher.  Is it all the marking?  Having to read student works in genres you wouldn't choose to read?  The long hours teaching at night, at the podium?

I don't teach that way (at the podium.)  I'm a desk-sitter.  But it's none of that.

By far, the hardest part of being a writing instructor is telling my students about the industry.  And in particular, that they aren't going to knock it out of the park with their first book - the one they are writing in my class.

It's hard, because they don't want to believe me.  Always, they point to one or two authors who make it to the bestsellers list on their first book.  "So and so did it - why won't I?"

What they don't know is that the book on the best-seller list - that author's "debut novel" - is most likely NOT the first book the author wrote.  Industry stats tell us it will likely be their 4th book written.  (3.6 is the average, for a traditionally published author.)

My own story works as an example.  My first novel published, Rowena Through the Wall, was a bestseller (yay!)  But it wasn't my first novel *written*.  It was my third.  And before that, I had 24 short stories published, which won me six awards.  (Six awards, students. Before I even tried to get a novel published.) 

Each one of those short stories, each of those awards, was a tiny step.

About that first novel: it was horrible.  So horrible that if anyone finds it on an abandoned floppy disk and tries to read it, I will have to kill either them or me.  It was a Canadian historical/western/romance/thriller with a spoiled, whiny heroine who was in danger of being killed. No shit. Even I wanted to kill her.  The second book was also horrible, but less horrible.  It was a romantic comedy with a "plucky heroine" (gag) and several implausible coincidences that made it into an unintentional farce. 

By the time I was writing my third and fourth novels, I got smarter.  Apparently, I could do farces.  Why not deliberately set about to write a humorous book?  And while you're at it, how about getting some professional feedback?  Take a few steps to become a better writer?

I entered the Daphne DuMaurier Kiss of Death contest.  Sent the required partial manuscript.  Two out of four judges gave me near perfect scores, and one of them said:
"If this is finished, send it out immediately. If this isn't finished, stop everything you're doing right now and finish it. I can't imagine this wouldn't get published."

One more tiny step.

That book was The Goddaughter.  It was published by Orca Books, and the series is now up to six books.  (Six steps.) The series has won three awards, and is a finalist for a fourth, this year. (Four more steps.)

I'm currently writing my 18th book.  It comes out Fall 2019.  Last summer, for the first time, I was asked to be a Guest of Honour at a crime fiction festival.  It may, just may, be my definition of success.

If you include my comedy credits, I have over 150 fiction publications now, and ten awards.

160 tiny steps to success. 

Conclusion:  Don't give up if your first work isn't published.  Take those tiny steps to become a better writer.  Take a million.

How about you? In what way has your writing career taken a million tiny steps?





13 September 2014

Tagged and Bagged! This Writer of Mob Comedies Spills the Goods


by Melodie Campbell.

I should have known there would be a price. 

Back in 2012, when Steve Steinbock reviewed The Goddaughter in Ellery Queen’s Jury Box, I was ecstatic.  <So was my publisher.  Ellery Queen ROCKS!>

Steve called my book hilarious. I called Steve my hero. Little did I know, two years and three books later, that he would be tagging me on SleuthSayers.

Oh Steve, thy devilish one.

Many of you remember Steve from the days of ‘Criminal Brief, the blog.’  <There are a hundred ways in which I want to play with the word ‘brief’ right now, but I will refrain.>  Steve and I met years ago at a Bloody Words Mystery conference in Toronto. We discovered that, as teens, we shared a mutual pash <lovely Brit expression there> for Dark Shadows, the original series.

I like and respect Steve.  I also fear him slightly <EQ and all> so hastily accept the tag.

What Am I Working On?

The Goddaughter Caper.  Or A Coffin for the Goddaughter.  Or A Body for the Goddaughter.  Or The Goddaughter’s Coffin Caper.

Somebody help here!  Book 4 of the Goddaughter trilogy <sic> is nearing completion, and I need a title.  I started with the 3rd example in the list above.  I’m leaning toward the first.  Of course, Orca Books may throw all those out and come up with their own, but I’d still like to hear from readers in the comments below.

Gina Gallo and her inept mob family are back in biz.  This time, bodies are showing up in all the wrong places.  The second book in the series, The Goddaughter’s Revenge, won both the 2014 Derringer and Arthur Ellis awards for best crime novella. <author is over the moon>  The third in the series, The Artful Goddaughter, came out last week.

For those new to the series: Gina is a mob goddaughter in the industrial city of Hamilton (The Hammer.) Try as she might, she can’t seem to leave the family business.

How Does My Work Differ From Others In The Same Genre?

Library Journal said it well:  “Campbell’s comic caper is just right for Janet Evanovich fans.  Wacky family connections and snappy dialog make it impossible not to laugh.” 

When people ask what I write, I say ‘comedies.’  Then I give the genres (crime capers and time travel fantasy.) My books are comedies first and foremost.  I look for plots that will lend themselves to laughs.   
 
Why Do I Write What I Do?

A Greek Mask

Some people are born beautiful.  But most of us aren’t, and we look for ways to survive the slings and arrows of life.  Sometimes we choose to hide behind a mask.  That Greek Comedy mask was the one I picked way back.

Comedy is Tragedy Barely Averted

My younger brother is autistic.  Our home life was stressful and at times, sorrowful.  When I was a teen, as a means of self-preservation, I looked for the ‘funny.’  More often than not, I made fun of myself.  This was easy to do.  I knew the target well and there was a wealth of material.  And it didn’t hurt anyone else, so people liked it.

When I left school and had a ‘real’ job, I started writing stand-up on the side.  I rarely delivered it – usually I wrote for others. That led to a regular newspaper humour column, and more.
So when it came to writing novels, I fell back into ‘safe mode.’  Write it funny. 

How Does My Writing Process Work?

I teach Crafting a Novel at Sheridan College in Toronto, so I’m pretty immersed in craft.  Not surprisingly, I’m a plotter. I don’t start writing until I know the ending.  But I’m a forgiving plotter.  I don’t plan out every scene.

Sometimes a plot idea will trickle around in my mind for a year.  When the ending clicks in, I sit down to do a basic three-act plot diagram.  I teach this method, and I use my own books as examples.

So… once I have my inciting moment, first, second and third crisis, and finale firmly in my head, I sit down to write.  I start with the opening/inciting moment.  Then I usually skip to the ending, and write the climax and finale.  Then I go back to the beginning and write forward.

For me, it’s important to know that I like the characters and plot enough to stay with that story for the months to come.  That’s why I write the beginning before I spend much time doing outlines.  I need to know that I can live in that world, and enjoy it.

Advice to aspiring writers:

It's not romantic.  But it's the truth.  If you are going to be a writer, you have to love the actual act of writing: by this I mean, hands on keyboard, butt in chair, all by yourself, pounding out stories that the characters in your head are demanding you tell.

Of course, coffee and a wee dram o’ whiskey help.

Melodie Campbell drinks coffee and single malt somewhere south of Toronto.  The Artful Goddaughter is now available in stores and online.