Showing posts with label mystery novels. Show all posts
Showing posts with label mystery novels. Show all posts

23 November 2025

Locating the Bride!


Writing a story is a journey that involves answering a lot of questions. Who? How? Why? What? When? I have a book coming out on December 6th, and the question I got hung up on the most while writing it was where? Where does this story take place? And the corollary: when?

After twenty years of writing short stories, I'm more than happy to report the forthcoming publication of my first book: THE BRIDE MUST BE STOPPED! It's a YA thriller, the first book in a series of self-contained mysteries featuring a group of teenage high-school friends – the Mean City Mysteries. It's noir, hence the pulpy cover. The main character, Thornton Thacker, is a teenage detective who wears a trench coat and spends his spare time playing in a jazz band. 

The story's journey from the synapses in the back of my head to the pages of a published book has been long, and for a long time while writing it, I got hung up on WHERE and WHEN is it set? 

The book didn't seem like a fit for my hometown of Auckland, New Zealand. Auckland is a city, but it's not a big city. For some time, I considered setting it in London. I've lived there and have a feel for it. There's a noirish grit to dear old London town, and I've written several short stories set there, but that didn't feel right either.

With frustration mounting, I sat at my desk and did the writing exercise: Define your story in one word. The word I finally wrote was NOIR. It was immediately clear to me that the story was set in America – the origin of noir. That was its natural home.

But which city? I've spent time in New York, Los Angeles, and San Francisco. And when? I still hadn't decided on that either.

I deliberated over this for weeks (possibly a year).


Eventually, the clouds cleared, and obviousness stared at me. You see, the book hadn't been the sole focus of my life. I'd been quietly working on it when I could find the time, and after several years, I had simply forgotten where and how it had all begun.

It began with two events occurring around the same time in 2010.     

  1. A short story of mine, The Man with One Eye, was published by Ellery Queen's Mystery Magazine (December 2010). The story was about a small boy investigating the disappearance of a school friend. It was noir, spooky, set in the 1950s in a large, unnamed US city, and not without humour. It was nominated for a Derringer Award (Best Novelette) and was an Ellery Queen Readers' Award finalist.
  2. My wife bought a box set of The Famous Five TV series: she'd been an Enid Blyton fan since childhood. I didn't know them; I had been an avid Secret Seven reader. Watching the show, and observing its quaint, 1970s Britishness, I had joked: "Imagine if the Famous Five had been written by Raymond Chandler?"

Note: If you don't know The Famous Five, think Nancy Drew/Hardy Boys.

That had been my initial spark. My noirish, spooky short story, and the adventures of The Famous Five. Everything about my Mean City world had grown out of that, and remembering this set me back on the right course: The setting is a large, unnamed US city in the late 1950s.

Journeys are sometimes odd adventures. You find yourself in the middle, not entirely sure of the destination, and you've forgotten where you started from… It could just be me.

 Anyway, my book launch is in two weeks at the Whangaparaoa Library. If you're in Auckland, do come along.


 The book is available now on preorder from the publisher, Clan Destine Press:

 https://www.clandestinepress.net/products/the-bride-must-be-stopped

It'll soon be available from all the usual outlets (Amazon, B&N, etc.).

13 August 2021

Mystery in the Library


Virus? What virus? It’s a bit like that here in New Zealand. We had a couple of lock downs and our share of mandatory mask wearing, but we’ve gone several months now without any further trouble.

The point is: public gatherings here (sans masks and distancing) are fine, and lately there’s been a bunch of them in libraries around the country, where panels of mystery authors have talked about their books and the craft of writing in front of an audience.

I moderated one recently at the Takapuna Library on Auckland's North Shore. 

The Mystery in the Library events began at the Takapuna library in back in 2015. Conceived by Craig Sisterson (more on him in a moment). The format is your basic author panel: a handful of authors, and a moderator to guide a low-key, coffee shop type of conversation about the craft of crime and mystery writing, with an audience eavesdropping on the chat. Book signing afterward. Refreshments (wine, juice, snacks) provided.

Each year since 2015, more and more libraries around the country have hosted MITL evenings, with this year (April, May, June) seeing more than a dozen scheduled. So many, in fact, that each event has now gotten its own subtitle. Ours was BLOOD BY THE BEACH. Because the Takapuna library is right next to Takapuna Beach.

At our event, we chatted about what makes a mystery compelling, tools of the trade, do you plot or pants, advice for aspiring writers, and so on (with digressions into writing as meditation and how do you 'write what you know' when the know is murder?). I was blessed with four authors who were happy and eager to chat, and a captive audience of about 100 who had lots of questions. We all had a thoroughly pleasant evening. I've said it before, I'll say it again: Mystery writers (and readers) are the nicest of people.

(L-R) Me, Ben Sanders, Patricia Snelling, Madeleine Eskedahl, SL Beaumont

The authors on the panel, in alphabetical order:

SL Beaumont is the bestselling author of eight books, all of which are set in her native England. Shadow of a Doubt won the 2020 Indie Reader Discovery Award for Mystery/Suspense/Thriller, and her latest, Death Count, has been long listed for the Ngaio Marsh Award for Best Novel.

Website

Death Count (at Amazon)

Madeleine Eskedahl's recently released debut novel, Blood on Vines, is already a bestseller and is set in the wine growing region of Matakana (about 30 minutes north of Auckland).

Website

Blood on Vines (at Amazon)

Ben Sanders is the bestselling author of eight books (three have been short listed for the Ngaio Marsh Award for Best Novel). His first three were set in Auckland and the following five in the US; American Blood was optioned by Warner Bros. His latest book is The Devils You Know.

Website (appears to be under construction)

The Devils You Know (at Amazon)

Patricia Snelling has written nine books, all set here in New Zealand, and her latest,

Last Ferry to Gulf Harbour, has been long listed for the Ngaio Marsh Award for Best Novel.

Website

Last Ferry to Gulf Harbour (at Amazon)

A decade ago (time flies), I wrote an article for Criminal Brief about New Zealand's crime/mystery writing scene, and I had to really scratch around to find any local authors to mention. Now there are lots. The scene is growing. We don't have an MWA type of organization here yet, but the roots for one are in place. The Auckland Crime Writers group (a private group on Facebook) has 60+ active members. We hang out, real time, in coffee shops or on Zoom meetings. The local scene is growing and lively; we even have our own local label for it: Yeah, Noir (a play on the Kiwi slang expression, "yeah, nah").

About Craig Sisterson. Craig is New Zealand mystery writing’s Wizard of OZ; he’s the man behind the curtain. He’s the leading reviewer, blogger, interviewer, and authority in the field. His book, Southern Cross Crime, is the definitive guidebook to NZ and Australian crime fiction. As I mentioned, Craig set up the very first MITL (and every following years' events, including all of this year's). Craig was also the principal instigator and administrator of the Ngaio Marsh Awards, which is New Zealand's highest (and only) award for mystery writing (sadly, gripe, no category for short stories). 


I won't leave it another ten years before I write about New Zealand crime writers again. Promise.

Stephen

www.StephenRoss.net

27 October 2020

Ross Macdonald - Connecting With The Past


Paul here. One of my favorite mystery authors is Ross Macdonald and one of my favorite characters is his Lew Archer. I like them for a variety of reasons, but I’ll leave those for another time. Today’s guest post is by Tom Bergin, who runs the The Name is Archer Facebook group. It was started in 2014 by John Aaron, and is currently run by Tom, Lila Havens and Mike Langston. With a name like that, it’s clear that the focus of the group is Lew Archer, but it’s expanded over the years to include many other crime writers and crime films.

Tom is a lifelong reader and has been reading mystery novels since he was in grammar school. Retired now, he’s able to devote more time to a life of crime—in books and films anyway. He grew up and still lives in San Francisco with his wife. They have five children, ranging in age from 28 to 42.

So, without further ado, Tom Bergin talks about Ross Macdonald and Lew Archer:

***

Ross Macdonald - Connecting With The Past

by

Tom Bergin

Ross Macdonald has been my favorite mystery writer for forty years. One day I walked into a bookstore and spotted a volume of Dashiell Hammett’s novels. I was living in San Francisco at the time so it seemed like a sign that I should buy the book. Hammett led me to Raymond Chandler and Chandler led me to Ross Macdonald. I liked Hammett and Chandler but I loved Ross Macdonald. His writing touched something in me and I’ve been reading him ever since.



Ross Macdonald was born Kenneth Millar on December 13, 1915 in Los Gatos, California. Although born in the United States, Ken’s parents were Canadian and Ken was raised in Canada. Ken Millar published his first novel, The Dark Tunnel in 1944. Millar went on to write twenty-three more novels. Eighteen of these were Archer novels. There was also a volume of Archer stories titled The Name is Archer published in 1955 and a more complete volume of Archer stories titled The Archer Files (2015).  Writing under the pseudonym John Macdonald, Millar’s Lew Archer made his debut in The Moving Target in 1949. He then published his next five novels with the pseudonym John Ross Macdonald before adopting Ross Macdonald when The Barbarous Coast was published (1956).

The first few Archer books were in the hard-boiled Chandler tradition. They were good books but Macdonald was eager to make his own mark on the genre. Macdonald wanted less violence in his books and more psychological insight into his characters. He wanted to write about families and family tragedies rather than gangsters and mobsters. Most critics contend that this change took place with the publication of The Galton Case in 1959. The Galton Case and the books that followed cemented Macdonald’s position next to Dashiell Hammett and Raymond Chandler in the pantheon of hard-boiled writers. 

There are many things I love about Macdonald’s writing. The first book of his I read was The Galton Case. I was hooked and quickly read everything of his I could find. The first thing that struck me about Macdonald’s novels was the complexity and ingenuity of his plots. Plot was important to Macdonald. In his essay The Writer as Detective Hero Macdonald writes: “Chandler described a good plot as one that made for good scenes, as if the parts were greater than the whole. I see plot as a vehicle of meaning. It should be as complex as contemporary life, but balanced enough to say things about it.”



Along with complex plots Ross Macdonald’s books are full of ideas and themes. In an interview with Paul Nelson he said: “You really start with meaning before you have anything to structure.” There is plenty of meaning and many ideas in his books. I’m only going to mention a couple. Probably the most obvious theme that runs through Macdonald’s work is that of the past. The idea that what has happened in the past affects what happens in the present. This idea is prevalent in almost all the later books. In The Zebra-Striped Hearse Archer says: “The past is the key to the present.” In The Far Side of the Dollar Archer states: “I mean the deep connections you get in life, the coming together of the past and the present.” In many of the books the sins of the parents are visited upon their children. The children suffer from the bad deeds of their parents. An example of this would be Ralph Hillman’s affair in The Far Side of the Dollar. That was the start of the trouble for the Hillman family.


Another important theme of Ross Macdonald is that things are connected in life. People are connected, ideas are connected, the past and present are connected, what one person does directly affects other people. In The Far Side of the Dollar Lew Archer says: “Life hangs together in one piece. Everything is connected with everything else. The problem is to find the connections.” 

The thing I like best about the Archer books is the character of Archer himself. He’s a good man. He’s compassionate and empathetic. Archer cares about people. He has a connection with young people. Lew worries about Stella in The Far Side of the Dollar: “Generation after generation had to start from scratch and learn the world over again. It changed so rapidly that children couldn’t learn from their parents or parents from their children. The generations were like alien tribes islanded in time.” Archer’s empathy for people is one of the qualities that sets him apart from other private detectives. Even though Archer was a compassionate and caring man, he was also a realist. He knew life was hard. In The Far Side of the Dollar Stella tells him that she doesn’t see how she and Tommy are ever going to be happy. Lew replies: “Survival is the main thing.” It was a hard saying to offer a young girl. “Happiness comes in fits and snatches. I’m having more of it as I get older. The teens were my worst time.”


One of my favorite lines from all the books comes from The Far Side of the Dollar. Lew says: “Other people’s lives are my business.” The line has a dual meaning. The line is true in a literal sense. Archer’s a detective. It’s his job to investigate people’s lives but I prefer to think of the line in a different way. Other people’s lives are Lew’s business because he’s a human being. They are his business because he cares about people. Because he’s connected to them.

I’ll continue to read Ross Macdonald’s books because I’m still entertained by, and learn from, his books. In this crazy, angry, divided world we’re living in, it’s good to be reminded by a wise voice that we’re all connected and that other people’s lives are our business too.

***

Thank you, Tom. I really enjoyed that. And people can check out The Name is Archer at https://www.facebook.com/groups/1734000126825677


~.~.~
And now for the usual BSP:

A great review of Coast to Coast: Noir at Just Reviews:

Each story is filled with sadness, tragedy and each character experiences death in a different way. The titles alone are eerie and will give you the chills. A fabulous collection of well written noir short stories told in different settings with  characters that work in meat packing plants, feed companies, markets and not very lucrative jobs causing their downfalls and falling for the need to complete jobs that most would turn down. A superb collection for readers that want something odd, different and dangerous.

-- Fran Lewis, Just Reviews
And a very nice review of The Blues Don't Care at The Irresponsible Reader:


Marks hits the right notes with his prose and characters, creating a mystery that appeals on many levels. I recommend this for mystery readers looking for the kind of thing they haven’t read before.

--H.C. Newton, The Irresponsible Reader




Please join me on Facebook: www.facebook.com/paul.d.marks and check out my website  www.PaulDMarks.com