| Eden river |
| Old Course |
| Fife coast |
| Eden river |
| Old Course |
| Fife coast |
My ancestry is Scottish. I was born in New Zealand, but my family line (on both sides) is only a couple of steps out from Scottish soil. So, it wasn't random that I set a large chunk of my latest short story, Alan Duncan Did This, in Edinburgh (Alfred Hitchcock's Mystery Magazine, March/April 2026). My story is about a Scotsman, Alan Duncan, who travels down to London on Guy Fawkes night (1949) to commit a murder. A murder he's quite proud of. A murder he ranks as a work of art.
Fletcher's murder had been a work of magnificence. Alan almost wished he could have signed it. With a bold, florid flourish, like Salvador Dali. Alan Duncan did this.
Vanity? Yep. A villain's vanity was a common theme in Agatha Christie's mysteries; it was often her villain's downfall. Anyway, in this post, I don't want to chat about Scotland or a murderer's vanity, but about motive. Alan Duncan had a good, cogent reason to commit his murder. Killers in fiction should.
Detectives are always looking for means, motive, and opportunity. But in real life, motive is the lessor of these in criminal investigations. It's not required for establishing guilt or gaining a conviction. It's nice for the prosecutor to have one in their basket going into a courtroom, but it's unnecessary to prove. For writers of mysteries, however, motive is the central key to a character's actions. It's the engine on which a story is propelled.
People don't commit murders for weak reasons in fiction. Without a strong, compelling motive, a character's actions reek of implausibility. Yes, in the real world, killers can and do commit murders for no reason, but that doesn't really fly in fiction (there are exceptions, so I'm speaking in general). Spoiler: Imagine if the killers in Murder on the Orient Express had meticulously plotted and killed Ratchett/Cassetti because he stole Princess Dragomiroff's polo mallet. Weak sauce.
Strong and clear motives engage the reader. And audience. Shakespeare was a master of this.
These are all strong motivators because they are plausible in their contexts and thoroughly human. We might not condone a character's actions, but we instinctively understand their reasoning.
It's often remarked that sex or money are the most common motives for murder in crime fiction. Cherchez la femme. Cherchez la dollar. Here's my stab (see what I did there?) at a start of a murder motive taxonomy based on these two headings:
| SEX | MONEY |
|---|---|
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To sex and money, as per Shakespeare above, I would add revenge.
Revenge is often egged on by sex or money. Alan Duncan's motive is revenge by way of sex – jealousy and obsession. He focuses his whole life on seeking revenge because of his jealousy. Murder is his only release from his idée fixe.
Revenge can also stand alone. Spoilers: Murder on the Orient Express is a murder of plain and simple revenge. The actions of the killers are not invoked because of sex or money (however, what they are avenging was a crime involving money (a ransom)).
This is only the tip of the iceberg of murder motives. Do you have a favourite when you write, maybe one that isn't in this list?
I am not a fan of graphic novels - with one notable exception - but my daughter told me I needed to read one of the volumes nominated for the Hugo Award in that category and when she recited the first few lines I knew she was right.
Bea Wolf by Zach Weinersmith and Boulet is a retelling - no, that's not right. It is a new story, inspired by and borrowing its form from, the oldest tale we have in what could be called English.
If you have never encountered Beowulf it is a tale from approximately 1000 years ago about Scandanavian warriors whose mead hall is constantly attacked by a monster named Grendel. The creature is vanquished by a hero named, you guessed it, Beowulf. Here are the opening lines from a translation by JNO Lessie Hall:
Notice the rhythm and alliteration. This text was never meant to be read. It was intended to be heard. Declaimed. Chanted even!
Now consider the first lines of Weinersmith's new text:
This is a tale of young children whose treehouse is attacked by their neighbor Mr. Grindle, who loathed fun and the touch of whose finger could turn a child into a teenager or (shudder) an adult, "begeezering that gathering!"
As you can guess, a young female warrior named Bea Wolf comes to the rescue. If this book doesn't delight you then I can only say you must have already been touched by the man whose "soul was a snowbank, unsledded, a snowcone unsweetened, a snowman, unscarfed."
"In Sunday School I asked the priest why there was a special school for Christian myths but not for Norse myths." - Ada Palmer
"Sometimes it's the wrong books that make all the difference." - Jo Walton
'Ancient' in India is anytime before you guys came to colonize us." - Gourav Mohanty
"Miss Piggy is the ultimate drag queen." - Robert Berg
""The story of Cinderella travelled the silk road just like silk or tea or the Bubonic Plague." - Kate Forsyth
"Even when there is only one religion there is more than one religion." - Ian R. MacLeod
"For Japan to win the U.S. high command would have had to lose their entire minds." - Liz Bourke
"I have very strong feelings about some books about King Arthur, which we won't go into. But damn you, Marian Zimmer Bradley, damn you." - Kari Sperring
"I love history because it's always changing." - Alan Smale
"To be punk today is to be cooperative." - Francesco Verso
"Is quantum mechanics the next deus ex machina?" - Bethany Jacobs
"You have to be able to look your characters' grandchildren in the face." - Liz Bourke
"Horror never scares me. It's real life that scares me." - Ellen Datlow
"Academics define things so that artists can wreck them." -Nadav Almog
"I will defend to the death any adult's right to reread trash as often as they want, as long as they enjoy it." - Jo Walton
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| Stirling Castle |
Stirling. We spent the first few days in Stirling, a city with about 50,000 people, and a ton of ghosts. I say that because it is one of those places where history kept piling up.
If you happen to be in England and you want to take
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| Stirling Beheading Stone. Step right up. |
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Oh, Stirling is also home to Bloody Scotland, the International Crime Writing Festival. Unfortunately for me, it doesn't happen until September.
Edinburgh. Truth is, we hadn't planned on visiting Stirling, instead expecting to spend a few days in the nation's capital, one of my favorite spots in the world. Then I literally woke up in the middle of the night![]() |
| Fringe Mob |
Glasgow. Eventually we went on to the main event. As I have said before, Bouchercon, the biggest event in our field, could hide in one pocket of Worldcon without being noticed. For example, you could fit ten Bouchercon dealer rooms in this year's Worldcon book room, and that doesn't even count the equally large space holding exhibits from universitiies, literary and scientific societies, and food trucks (yes, inside).
* Readings. I attended a reading by John Scalzi who specializes in humorous science fiction. He was nominated for the Best Novel Hugo Award this year for a book with criminal connections. Starter Villain is about an unemployed journalist who unexpectedly inherits his uncle's business, as a James Bond-style evil genius. It also involves talking cats. Why not?
Scalzi read from his next book, When The Moon Hits Your Eye. Halfway through he reveals the book's insane major premise. Then he gave us a devilish smile and said "I wrote this! And I bleeping got away with it!" I look forward to reading the novel when it comes out.
I have mentioned Jo Walton before. She wrote the best alternative history mystery novel I have ever come across. She read part of an essay called "Why I Read," which was terrific.
* Workshops. E.M. Faulds and T.H. Dray ran a useful workshop on reading out loud for authors. Everyone got to do a brief reading and get critiqued. My favorite comment was: "Emphasize the right words. No Shatnering."
* Panels. There were dozens, if not hundreds. Some I attended: Ancient Cultures, Religion in Science Fiction, and Alternate History,
I also saw one on Fairy Tales. This included a discussion of queer interpretations of the stories. ("The Little Mermaid" may have been inspired by Hans Christian Andersen's love for a man, for instance.) Then there's the eastern European tale "The Girl Who Pretended to be a Boy." Let's not tell certain parents groups about that one.![]() |
| Me on the last day |
I also attended a workshop on Jim Henson. Someone pointed out that one of Henson's recurring themes is found family (think of Kermit gathering up his tribe in the Muppets Movie, for example).
During the question period an audience member told us that she had worked at the studio that made the Muppet Show and assured us that all those people loved each other just as much as you hoped.
She also said that she would often see a director talking about a scene with a puppeteer. Then the puppeteer would raise his arm and the director would start speaking straight to the Muppet.
By the way, some of the panels were videoed so we are still enjoying them at home.
* Volunteering. I spent an hour in a green room fetching drinks for panelists, and another handing out info packets to panelists and Hugo Award nominees. Each volunteer hour earns you a groat, a plastic card that most of the dealers accept as two pounds.
I was also invited to a party for Flame Tree Press authors. They produce mostly horror and science fiction, plus collections of ancient legends ("Story-telling from the distant past to the future"), but I managed to sneak into their Chilling Crime Stories volume.
Okay, that's way more than enough. Next time, as you may have guessed, I will provide some words of wisdom from the panels.
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| Relief carving, Magnus Cathedral, Kirkwall, Orkney. |
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| Stennes |
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| Maeshowe |
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| Ring of Brodgar, more standing stones. |
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| Skara Brae |
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| Standing stones in an Orkadian cafe. Another shop had a dish called Skara Brie. |
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| Me in Stromness, Orkney. I have no photographic evidence I was in Edinburgh. |
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| Not Holyrood Palace. Just a nice picture. |
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| Fairy Glen, Isle of Skye (also in the new movie The BFG) |
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| Glasgow Dunce Cap |
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| The Kelpies, near Falkirk |
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| Edinburgh Castle, seen from Princes Street |
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| Plockton Harbor |
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| Stirling Castle |
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| Satan's willing handmaids |
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| first murder scene |
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| arrest |
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| in court |
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| McCafferty today |