When
it comes time to set up a signing for your new book, your first book or
your latest book. Why not try some creative thinking?
There's
no set rule that you MUST do a signing in a bookstore. Of course, I'm
not saying to leave your favorite mystery bookstore or even your
favorite big box bookstore. Just wanting you to think a little outside
the box for extras.
When we owned Mysteries & More,
I had several signings there for my anthologies and for my non-fiction
edited books, The Art of Murder and Deadly Women. I enjoyed signing at
my own store and I also signed in Houston at Murder by the Book. I
signed at mystery bookstores in Dallas, San Diego, Kansas City,
Scottsdale, Bethesda, St. Louis, and New York City. I was determined to
help my fellow writers and my fellow independent bookstore owners sell a
few books even if I didn't have a novel published. I'd set up signings
with other anthology authors, authors who did have a novel out, and my
co-editors. Usually we did panels talking about writing. By having three
or four authors, the crowd will grow larger because of each person's fan
following.
I tried to come up with promotional items to
give to customers and bookstore owners for myself and others. When we
operated the store we got many, many promo items. There were writing
pens and pencils, key chains, postcards, bookmarks, caps, t-shirts,
coozies, little pins to wear that had the book covers on it. I wrote a
few weeks ago about the little rubber jar opener promoting Deadly Women
that I came up with and it was a hit. Eileen Dreyer gave away a ball
point pen that looked like an actual hypodermic syringe filled with
medicine, which was the blue ink. Promotions are good ideas to give away
but how about where you hold a signing?
My first book
came out and I decided to have a launch party at the bowling center
where I'd bowled in leagues for years. They had a party room and we sent
out invitations and an awesome crowd showed up… about sixty people, I
think.
The beauty salon where I had my hair done wanted
to host a book signing party for me. I said, sure, why not? Three years
later when my second book came out, we had moved into our RV full time
and traveled in the summer, but came back to the Hill Country in the
fall and winter. Once again, I did a signing at a bowling center where
we now bowled.
When we still owned the bookstore, a
writer friend, the late Nancy Bell, was the house mother of a sorority
house at the University of Texas for ten years. When her first book came
out, we had her launch party for her first book at the sorority house.
Another
creative place I had a signing was at the SPA Yoga center where I go. I
once also signed on the patio of a restaurant and inside the same
restaurant when the next book came out.
I've signed
four years at a music festival that a singer/songwriter hosted several
years and always invited book writers along with the musicians he
invited.
Guess you get the idea that you can do book
signings almost anywhere. All you need is a willing host, a rather busy
location and someone to sell the books for you. If you don't have a
local indie bookstore who will order books for you, last resort order
them from your publisher yourself. But you usually don't get credit for
books sold if you, the author buys from the publisher. Just think
outside the box… uh store and sell those books.
Groaner of the day: How many mystery writers does it take to change a light bulb?
Two, — one to screw it almost all the way and the other to give it a surprising twist at the end.
Showing posts with label signings. Show all posts
Showing posts with label signings. Show all posts
04 August 2014
Outside the Box… umm… the Store
by Jan Grape
Location:
Cottonwood Shores, TX, USA
03 March 2014
Liar, Liar, Pants on Fire
by Fran Rizer
Some of the fiction writers I know claim that we are "licensed to lie." Today I'm giving you the opportunity to tell when I'm fibbing and when I'm not.
Your mission, should you choose to accept it, is to read the following accounts of four events that happened at my book signings and choose the one that did not happen. Three of them are true. The first person to correctly identify the false event will receive a copy of Callie's latest: A Corpse Under the Christmas Tree.
THE MINK COAT
At a book signing for Callie's Christmas book last November, I looked up and saw the retired secretary from a school where I taught over twenty-five years ago. I immediately jumped up and hugged her before I saw that her son stood behind her with a garment bag. I had lent the mink coat my mother-in-law gave me to the secretary. I transferred schools and the years passed. The secretary (now retired) said she saw an interview with me in Free Times that gave info about the signing so she wanted to buy the new book, have her copies of the others autographed, and return my coat. The owner of the book store said that's the first time ever that a fan brought an author a mink coat to a signing in that store. The only problem is that I'm afraid if I wear it anywhere, the PETA people will get me!
WHAT HAPPENS NEXT?
I decided to share this with you after reading Rob's column on February 19th about carrying the same characters into a new work. Recently, a Callie fan approached me at a signing and wanted to know why that same Free Times interview mentioned above said that I was working on something very different and would not be writing another Callie anytime soon, if ever. This writer wanted to know if I would be okay with his writing a Callie following the Christmas story, using the same characters, setting, and hopefully voice. I would, of course, have the option of Callicizing the voice where necessary and nixing anything that went against the established personalities and habits of the characters. Feeling a little like James Patterson (a very little), I said, "Yes."
MY YOUNGEST FUTURE FAN
Same book signing: My orthopedic surgeon's nurse showed up with a beautiful little girl. Linda introduced the child as her ten-year-old grand-daughter Abigail who was visiting her and wanted to come with her to meet "a real author." Abigail loves to read and likes to write stories. To make a long story short, Linda bought Abigail a Callie book with the stipulation that they give it to Abigail's mother to determine when she will be allowed to read it. The next time I saw Linda at the doctor's office, she told me that Abigail took a picture of her with me to "Show and Tell." The youngest readers before Abigail have been thirteen-year-olds.
SOMEONE ELSE' S STORY
A red-haired woman approached me at a book-signing a year ago. I expected her to ask me to autograph a Callie book. Instead, she asked me to write a book for her. I went into my usual spiel that she would do a better job of putting her story on paper than I would, but we agreed to meet in the coffee shop after the signing. Writers are frequently approached to write or co-write someone else's story. Most of the time, we decline politely, but there was something about this woman that made me hesitate to dismiss her so quickly
Upon a Midnight is Julie Bates's story, and it's like nothing I've written before. Julie and I wound up together many days as I made notes and recordings, and since then I've spent countless nights alone with my computer, scaring myself as I wrote Julie's story from her point of view. It's scheduled for release in about twelve months.
Okay, dear readers, cast your vote for the false anecdote in the comments section. I'll notify the winner how to send me a mailing address for your prize.
Your mission, should you choose to accept it, is to read the following accounts of four events that happened at my book signings and choose the one that did not happen. Three of them are true. The first person to correctly identify the false event will receive a copy of Callie's latest: A Corpse Under the Christmas Tree.
THE MINK COAT
At a book signing for Callie's Christmas book last November, I looked up and saw the retired secretary from a school where I taught over twenty-five years ago. I immediately jumped up and hugged her before I saw that her son stood behind her with a garment bag. I had lent the mink coat my mother-in-law gave me to the secretary. I transferred schools and the years passed. The secretary (now retired) said she saw an interview with me in Free Times that gave info about the signing so she wanted to buy the new book, have her copies of the others autographed, and return my coat. The owner of the book store said that's the first time ever that a fan brought an author a mink coat to a signing in that store. The only problem is that I'm afraid if I wear it anywhere, the PETA people will get me!
WHAT HAPPENS NEXT?
I decided to share this with you after reading Rob's column on February 19th about carrying the same characters into a new work. Recently, a Callie fan approached me at a signing and wanted to know why that same Free Times interview mentioned above said that I was working on something very different and would not be writing another Callie anytime soon, if ever. This writer wanted to know if I would be okay with his writing a Callie following the Christmas story, using the same characters, setting, and hopefully voice. I would, of course, have the option of Callicizing the voice where necessary and nixing anything that went against the established personalities and habits of the characters. Feeling a little like James Patterson (a very little), I said, "Yes."
MY YOUNGEST FUTURE FAN
Same book signing: My orthopedic surgeon's nurse showed up with a beautiful little girl. Linda introduced the child as her ten-year-old grand-daughter Abigail who was visiting her and wanted to come with her to meet "a real author." Abigail loves to read and likes to write stories. To make a long story short, Linda bought Abigail a Callie book with the stipulation that they give it to Abigail's mother to determine when she will be allowed to read it. The next time I saw Linda at the doctor's office, she told me that Abigail took a picture of her with me to "Show and Tell." The youngest readers before Abigail have been thirteen-year-olds.
SOMEONE ELSE' S STORY
A red-haired woman approached me at a book-signing a year ago. I expected her to ask me to autograph a Callie book. Instead, she asked me to write a book for her. I went into my usual spiel that she would do a better job of putting her story on paper than I would, but we agreed to meet in the coffee shop after the signing. Writers are frequently approached to write or co-write someone else's story. Most of the time, we decline politely, but there was something about this woman that made me hesitate to dismiss her so quickly
Upon a Midnight is Julie Bates's story, and it's like nothing I've written before. Julie and I wound up together many days as I made notes and recordings, and since then I've spent countless nights alone with my computer, scaring myself as I wrote Julie's story from her point of view. It's scheduled for release in about twelve months.
Okay, dear readers, cast your vote for the false anecdote in the comments section. I'll notify the winner how to send me a mailing address for your prize.
Until we meet again, take care of… you!
Labels:
books,
bookstores,
Fran Rizer,
signings
Location:
Columbia, SC, USA
26 November 2012
Write Your Name Right Here
by Fran Rizer
Shannon as Callie, Fran as Fran, Barbie as Jane |
Since that first one in 2007, I've enjoyed signings in lots of places. They were all fun and they all gave me the opportunity to visit with some wonderful people. Today I want to share just a few of those events.
The Callielac |
My first book was written after I retired from teaching. At a signing at The Happy Bookseller (an indie that has closed and is dearly missed) a group of my former colleagues attended as a group. That was a special treat for me.
So booksignings were always fun experiences, but as the cliche goes, you ain't seen nothing yet! The McCormick, SC, Friends of the Library invited me to speak and sign books with a reception following the talk. Imagine my surprise when I stepped into the auditorium and saw a closed casket, complete with casket spray, in front of the podium! My protagonist, Callie Parrish, works as a cosmetician for Middleton's Mortuary. Friends of the Library were stationed around the room role-playing characters from the Callie Parrish mysteries.
The lady who portrayed Jane was sitting at a desk with a telephone. Of course she wore a red wig and dark glasses. A Victoria's Secret bag by her side spilled out all kinds of lingerie, especially Dixon's favorite color--sheer. Jane is Callie's BFF. She's visually impaired, or as Callie says, "to call a spade a flippin' shovel, she's totally blind." Leigh, you'll be glad to know that Jane gives up her wicked ways in the fifth book due out in spring, 2013. No, she hasn't quit her job as a telephone "fantasy actress," but she does stop shoplifting at Victoria's Secret and promise the sheriff she's quit for good.
My number one fan who is always at my signings is my grandson, Aeden. |
When I used to book rock 'n roll bands, we joked about someday being so famous that fans asked them to sign various body parts. I've been told, "Write your name right here," by folks who handed me a cocktail napkin, but not on any body parts (yet!)
What about you? Got any stories to share about book signings or launch parties? Or any ideas for my next one?
Until we meet again...take care of you!
Labels:
books,
bookstores,
cosies,
cozies,
Fran Rizer,
Libraries,
signings
Location:
Columbia, SC, USA
12 May 2012
Dream On
by John Floyd
by John M. Floyd
I'll be out of town most of today, at a booksigning about a hundred miles south of our home. But let me clarify that. If you're picturing a fancy setting with banners and media coverage and screaming fans lined up out the door and around the corner, I'm afraid that ain't the case. This is a regular, no-frills Saturday event at a chain bookstore, where my signing table will probably be about the size of a bicycle wheel and nobody will know who I am and some of the customers might be looking more for greeting cards and Hunger Games T-shirts than for reading material. The only familiar faces I'll probably see are those of the general manager and a couple of his employees.
Sailing the salesman ship
Actually, the GM and his staff might be the only people I see, period. One never knows. (Erma Bombeck said she once had a booksigning where, in the course of the day, only two people stopped at her signing table: one guy asked for directions to the restroom and the other asked her how much she wanted for the table.) But so far this year I've been pretty lucky, in terms of crowds and sales and foot-traffic. The events are always fun, the folks who work at the stores are consistently friendly and accommodating to visiting authors, and I get to meet some really interesting people, many of whom, thank God, buy a book or two. I and my publisher will be forever grateful to these store managers and their regional bosses for allowing me to come as often as I do.
Occasionally I even meet a "fan," although I try not to let that go to my head. Anytime I start to feel the least bit cocky, fanwise or famewise, something always happens that reminds me of my insignificance. True story: a guy rushed up to me at a signing awhile back, said he was so excited to finally meet me, and added, "I've read every one of your books, Mr. Grisham." I almost hated to reveal my true identity, and when I did he wasn't too pleased about it either. He slunk away looking as if I had just foreclosed on his home and shot his dog. The sad truth is, the only things JG and I have in common is our home state and our first name. My books aren't even novels; they're collections of short mystery stories.
The view from the cheap seats
Even though I am but a tadpole in the ocean, I can't help feeling incredibly fortunate. I'm not a famous writer and never will be (I'm not even sure I want to be), but I thank my lucky stars that I'm in a position to do every day what I love to do and that I've been able to achieve some small level of success at it. How many people can make that claim? And now and then--not often, of course, but now and then--someone e-mails me or phones me or sees me at a signing or a conference or our local Wendy's and tells me he or she enjoys my stories. That's a heartwarming thing for any writer to hear.
Besides, I just love the writing process. It's therapy, it's fun, and--let's face it--it's a pleasant distraction from that real world where unpleasant things so often happen. Unpleasant things happen in my stories too, but that's okay--those are things that I make up, and I can deal with them in ways that I also make up. Spinning tales is not only puzzle solving (which I love as well), it's the ultimate power trip. In my little fictional world, I'm the emperor. I can make these people do anything I want them to do, anytime I want them to do it. Where else does that happen?
I heard or read someplace that it is the height of arrogance to assume that anyone would ever actually want to read the things that we dream up and put on paper. Whoever said that was probably right. But the fact is, when someone does tell me he likes what I've created--whether it's an editor or a reader--that kind of validation makes me feel anything but arrogant. It makes me feel grateful, relieved, and humbled. And, at the risk of repeating myself, unbelievably lucky to be doing something that's this much fun.
Social insecurity
If writers are really as confident as most readers think we are, why is praise of almost any kind so good to hear? Well, it's because we're not as confident as most readers think we are. Almost all the writers I know, whether successful or aspiring, struggle with self-doubt. Most of them tell me that when they finish writing a story or a novel, they wonder quite seriously whether they'll ever be able to come up with another one--or at least another one that anybody would want to read. We've all heard the adage about only being as good as your latest effort. Because of that, we writers like to be--and need to be--patted on the head regularly and reassured that all is well.
I once heard bestselling mystery author Steve Hamilton (a great guy as well as a great writer) describe the way he felt when, early in his career, he took the stage to receive a prestigious award--the Edgar, I think it was, for his novel A Cold Day in Paradise. He said he walked up in front of the huge crowd, looked out at the vast sea of faces, and thought: What are all you people doing in my dream?
I like that. I can relate to that. Fiction writers not only create dreams, they sometimes walk around inside them as well.
But I do know I'm not John Grisham.
BY THE WAY . . . tomorrow is Mother's Day. Don't forget to set your mothers back one hour.
Subscribe to:
Posts (Atom)