Showing posts with label quotations. Show all posts
Showing posts with label quotations. Show all posts

18 March 2015

Quotelandia


by Robert Lopresti

Panel on short stories at Left Coast Crime: Travis Richardson, Bharti Kirchner, Deborah J. Ledford, Brian Thornton, What's-his-name.  Photo by Teresa Wong, used by permission.
 
I spent the weekend in Portland, Oregon, at Crimelandia, the 25th Left Coast Crime. A good time was had by all, or at least by me. And just as I did at Bouchercon in November, I took notes on some of the words of wisdom that the panelists distributed, as well as some of the nonsense.  You get to decide which is which.  Apologies for any misquotes or misattributions.


"Watching cartoons is really good for writing sex scenes."  - Linda Joffe Hull


"We are living in the golden age of nonfiction."  -Brian Thornton
 

"What really hurt is that this reader trusted Wikipedia more than me."  - Steven Saylor
 

"(My character) believes that what separates us from the rest of the animals is our ability to accessorize." - Heather Haven

"She was built like sadness." - Johnny Shaw


"You can't just have your character say the kidney was kidney-shaped.'-Terry Odell
 

"As we used to say in the navy, maintain rigid flexibility."  - Janet Dawson 

"When I read violence and it doesn't hurt that makes me angry.  Because that's the only violence that's dangerous."  -Josh Stallings.

"We're all twelve year old boys at heart." - Holly West


"No one in Britain has enough money to put twenty writers in a room long enough to write Seinfeld." - Catriona McPherson



"My true stories are more like independent films."  -Johnny Shaw
 

"I went on the FBI tour today and found out I'm on the watch list." - Linda Joffe Hall
 

"I grew up in the seventies and my parents were so high that they couldn't start a commune.  So they just invited people over."  - Jess Lourey
 

"When you're doing research, never skip the footnotes."  -Jeri Westerson 

 "You can stand on any street corner in Bangkok and have five novels in ten minutes."  - Tim Hallinan


"I call the info-dump 'As you know, Bob.' For example,  'As you know, Bob, as forensic psychologists, we can...'" -Andrew E. Kaufman

"I live in Colorado and I'm probably one of four people who doesn't have a concealed weapon permit."  - Terry Odell


"Helen's work is critically acclaimed, best-selling, and award-winning, which is just greedy." -  Catriona McPherson


"When I started writing I used alcohol.  It diminished my anxiety completely.  It diminished other things too."  - Tim Hallinan

"I don't put years in my books because things change."  - Andrew E. Kaufman

"You're always on the psychoanalysis couch when you're writing these books."  - Steven Saylor
 

"Research is like fishing.  You never know what you're going to catch."  -V.M. Giambanco
 

"Adverbs are the date that wouldn't leave."  -Brian Thornton
 

"I'm supposed to repeat all questions, so: Parnell Hall's room number is 618."  -Jess Lourey
 

"Don't touch a menopausal woman and don't give her a gun." -Terry Odell
 

"They're not very interesting people before the murder."  - Frederick Ramsay
 

"If you can't laugh at your life, it's going to be a long life."  - Heather Haven.

"Adolescence is essentially a country-western song."  -Tim Hallinan

"Fun fact: Chris is wearing a training bra, but not in the traditional manner." - Simon Wood

"Good writing is good writing." - Josh Stallings

07 March 2015

Dialogue Is Like a Box of Chocolates


© zazzle.fr
To John Floyd’s dismay, his computer broke, busted, died, demised, kicked the bucket, shuffled off this mortal coil… He thus asked me, as if I'm a miracle worker, to resurrect an article from seven years ago. He then mentioned a bottle of Southern Comfort, so herein, John combines what John loves best… movies and lists. Say an incantation for John’s machine and enjoy a Hollywood golden oldie…
— Velma

by John M. Floyd

I’ve decided to make you an offer you can’t refuse. Awhile back I mentioned that I suspect most fiction readers enjoy movies too, and that fiction writers can sometimes learn almost as much from movie dialogue as from the written word. Surely that’s true — and don’t call me Shirley.

On that basis — and because I don’t need no steenking badges — I’ve put together a quiz of fifty movie quotes. They range from easy to hard, unless you’re a fellow victim of severe moviemania, in which case you’ll probably answer them all and then feel guilty as a result. To get in the mood, ask yourself these questions: Do I feel lucky? Can I handle the truth? Is it safe? Can I swim, or will the fall kill me? Do I need a bigger boat?

Anyway, I figured if I built it you would come, so I’ve rounded up the usual suspects. Many of these are crime/suspense because those are my favorite movies, but frankly, my dear, others are not, and what I’ve done on some might be a failure to communicate. Asterisks indicate final lines, and you get extra credit if you remember who said what, and to whom. So hasta la vista, baby — I wish we could chat longer, but I’m having an old friend for dinner. Open the pod bay doors, Hal, and may the Force be with you …
  1. I love the smell of napalm in the morning.
  2. Where’s that Joe Buck?
  3. Be careful, out there among them English.*
  4. In the end you wind up dying all alone on some dusty street. And for what? A tin star?
  5. Miss Jean Louise, stand up. Your father’s passing.
  6. You design TOY airplanes?
  7. Fat man, you shoot a great game of pool.
  8. I’m George, George McFly. I am your density. I mean … your destiny.
  9. He did it! He missed the barn!
  10. Remember me? I came in here yesterday and you wouldn’t wait on me. Big mistake.
  11. We in the FBI don’t have a sense of humor that I’m aware of.
  12. I saw it. It was a run-by fruiting.
  13. Any man don’t wanna get killed, better clear on out the back.
  14. Throw me the idol, I throw you the whip.
  15. That’s a negative, Ghostrider, the pattern is full.
  16. You can’t fight in here — this is the War Room.
  17. I’ve got the motive, which is money, and the body, which is dead.
  18. They say they’re going to repeal Prohibition. What will you do then? / I think I’ll have a drink.*
  19. All these things I can do, all these powers … and I couldn’t even save him.
  20. The next time I see Blue Duck, I’ll kill him for you.
  21. He can’t go down with three barrels on him. Not with three, he can’t.
  22. A wed wose. How womantic.
  23. How will you die, Joan Wilder? Slow, like a snail? Or fast, like a shooting star?
  24. Oh, my. I hope that wasn’t a hostage.
  25. I’ll take these Huggies and whatever you got in the register.
  26. He saved my life, and yours, and Arliss’s. You can’t just kill him, like he was nothin’!
  27. Stay on or get off? STAY ON OR GET OFF?
  28. Snake Plissken? I heard you were dead.
  29. And for a brief moment, Gordo Cooper became the finest pilot anyone had ever seen.*
  30. He kissed you? What happened next? / Then he had to go invade Libya.
  31. Nobody ever won a war by dying for his country. You win a war by making the other poor dumb bastard die for his country.
  32. I wish they wouldn’t land those things here while we’re playing golf.
  33. Oh Captain, my Captain.
  34. I don’t reckon I got no reason to kill nobody.
  35. Goodnight, you princes of Maine, you knights of New England.
  36. Sometimes nothin’ can be a mighty cool hand.
  37. Today I saw a slave become more powerful than the Emperor of Rome.
  38. Talk to her, Dad. She’s a doctor. / Of what? Her first name could be Doctor.
  39. Come on, Hobbs, knock the cover off the ball.
  40. Way to go, Paula! Way to go.*
  41. I see you’ve been missing a lot of work. / Well, I wouldn’t say I’ve been missing it.
  42. I call that bold talk for a one-eyed fat man.
  43. Docta Jones, Docta Jones! No more parachutes!
  44. Now you run on home to your mother, and tell her everything’s all right. And there aren’t any more guns in the valley.
  45. I’m thinking your head would make a real good toilet brush.
  46. Left early. Please come with the money … or you keep the car. Love, Tommy.*
  47. Active is pinging back something really big.
  48. And I will strike down upon thee with great vengeance and furious anger those who would attempt to poison and destroy my brothers.
  49. I need a ride in your el trucko to the next towno.
  50. This is Ripley, last survivor of the Nostromo, signing off.
And this is me, signing off. Answers will be appear in an upcoming column — meanwhile, leave the gun, take the cannolis. Here’s lookin’ at you, kid.

HAL, close the pod door. Close the pod door. HAL…

03 December 2014

Short thoughts from Long Beach


I was in Long Beach, California back in mid-November for Bouchercon, the International Mystery Convention.  Attached is a photo of the SleuthSayers who were in attendance: Rob, Eve, Melodie, and Brian.  R.T. was apparently  demonstrating his skill at disguise.

Bcon - four days of 2000 readers and writers - is overwhelming, so I don't know what to cover.  One highlight, new to me, was Speed Dating.  A continental breakfast was provided.  You picked yours up, sat at one of about seventy tables and every five minutes a bell rang.  When it rang two writers would trot over to your table and each would have two minutes to explain why you wanted to read their book.  I definitely copied down some names for future purchase. 


But my favorite parts of the Dating event were two:  Lisa Fernow describing her book as "sexy cozy."  Doesn't that exactly capture it?  And Michael H. Rubin was able to rattle his elevator speech off so perfectly that it was as if a trained actor was reading it off the book cover.  He got applause at every table.

Another highlight for me was the panel  "Short but Mighty," in which I discussed  short stories with Travis Richardson, Barb Goffman, Art Taylor, Paul D. Marks, and Craig Faustus Buck.  During a discussion of Plotters versus Pantsers (do you plot or fly by the seat of your pants?) Barb Goffman took a firm stand:  "I'm a plantser."  

Plus I got to chat with my two of my favorite editors, Linda Landrigan and Janet Hutchings, and meet another: Andrew Gulli.  

 And I have to admit it was a great joy to pick up my Derringer Award (as I'm sure Melodie would agree).  Thanks to everyone at the Short Mystery Fiction Society for making that possible.  If you want to hear my brief acceptance speech, here it is.


As you probably know, I love a good quote, so I will leave you with a bundle from Bcon.  Each was copied feverishly into my notebook at the time so I apologize to anyone whose words I garbled. Some of the quotations would benefit from context, but I am not going to give you any.  Here's why. 

By the time you are halfway through a Bouchercon you are so overstimulated that everything seems out of context.  (Notice our picture above seems a little blurry?  That was taken on the last day and we really were blurry.)  So consider this an accurate reenactment of the experience.  Enjoy.

"All great novels are mysteries."  - Sharon Fiffer

"Short stories exist only to stun you." - Jeffrey Deaver

"Does this novel make me look fat?" -Mara Purl

"I write short stories for the purpose of procrastination."  - Craig Faustus Buck

Moderator: How do you avoid cliches?
Brad Parks: I take it one day at a time.

"This is a really British novel.  Not cute British.  The other British.  Everyone's got a bad cough and a brown couch."  - Catriona McPherson

Waitress: So you're with the mystery convention!  Are you writers or readers?
Steven Steinbock: We are all murderers.

"I got a letter that said 'are you retired or are you dead?'" -Thomas Perry

"I have a short attention span.  I'm like a goldfish on cocaine sometimes." -Jay Stringer

"Nonfiction is about facts.  Fiction is about truth." - Mara Purl

"I'm the wrong person to ask about that, but I'll answer it anyway."  - Steven Steinbock

"If my story featured a hemophiliac it would take place in a razor blade factory." - Simon Wood

"Put him down for a whimper, not a bang." - Brian Thornton

"The story is not the plot."  -David Rich

"Westlake said to the movie producer: 'If you don't like the book why did you buy it?  Do you want to punish it?'" - Thomas Perry

"Don't kill your darlings.  Just lock them in the basement."  - Jon McGoran

"Panelists, do you have any questions for the audience?"  - Kevin B. Smith

"Everyone's in the cake.  No one's in the frosting." - Seth Harwood

"You don't choose your obsessions.  They choose you."  - Jodi Compton

"I'm not ashamed to say I write to a formula.  We don't get into a car that hasn't been designed to a formula."  - Jeffrey Deaver

  "Good storytelling requires that you be a good listener." - Steve Steinbock

"I had ethics in those days." - Thomas Perry

 "I'm going to turn it over to the crowd.  They're dangerous because they're hungover and they're punchy." - Claire Toohey

Craig Faustus Buck: How many lungs do you have?
Max Allan Collins: How many do you need?

Next time: the odd phenomenon of books, those flat dead tree things, at Bouchercon.

30 August 2014

Why Writers Drink


“Recent studies show that approximately 40% of writers are manic depressive. The rest of us just drink.” (I sold this to a comedian during my comedy writing years.)
THE ARTFUL GODDAUGHTER launches this Monday on Amazon, Kobo and in bookstores.
This is the third book in the Derringer and Arthur Ellis Award-winning comedy series about a reluctant mob Goddaughter who can’t seem to leave the family business.

As it happens, I also finished writing the 4th book of the trilogy <sic> this week.  I am now in that stage of euphoria mixed with abject fear.  Here’s why:

Below are the 8 stages of birthing a novel, and why fiction writers drink.

THE STAGE OF:
1.  JOY – You are finished your manuscript.  Damn, it’s good!  The best thing you’ve written, and it’s ALL DONE and on deadline!  Time to open the Glenlivet.

2.  ANGST -  You submit manuscript to your publisher.  Yes, even though they’ve already published 5 of your novels, you still don’t know if they will publish this one.  Will they like it?  Is it as funny as you think it is?  Is it garbage?  Glenlivet is required to get through the next few days/weeks.

3.  RELIEF - They send you a contract – YAY!  You are not a has-been!  Your baby, which was a year in the making (not merely 9 months) will have a life!
Glenlivet is required to celebrate.

4.  ASTONISHMENT – The first round of edits come back.  What do they mean you have substantive changes to make?  That story was PERFECT, dammit!  They got the 15th draft, not the 1st.  Commiserate with other writers over Glenlivet in the bar at The Drake. 

5.  CRIPPLING SELF-DOUBT – The changes they require are impossible.  You’ll never be able to keep it funny/full of high tension, by taking out or changing that scene.  What about the integrity?  Motivation? And what’s so darn bad about being ‘too slapstick,’ anyway?  This is comedy! 
Can’t sleep.  Look for Glenlivet.

6.  ACCEPTANCE – Okay, you’re rewriting, and somehow it’s working.  Figured out how to write around their concerns.  New scene is not bad.  Not as good as the original, of course (why couldn’t they see that) but still a good scene.  Phew.  You’re still a professional. 
Professionals drink Glenlivet, right?

7.  JOY – They accept all your changes!  YAY!  All systems go. This baby will have a life. 
Celebrate the pending birth with a wee dram of Glenlivet.

8.  ANGST -  Are they kidding?  THAT’S the cover? 

Melodie Campbell drinks Glenlivet just south of Toronto, and lurks at www.melodiecampbell.com.  To be clear, she loves the cover of The Artful Goddaughter (Orca Books).  




07 May 2014

Busy week


Been an interesting and busy week at Casa Lopresti.
For instance, on Sunday I looked at My Little Corner, Sandra Seaman's indispensible blog and saw a link to Angie's Desk's listing of anthologies looking for stories.  And I had a tale that would fit one.  The next morning I checked my records and found that that story had been sitting at a magazine for six months, waiting for judgment.  So, obviously I couldn't send it it somewhere else.

Five minutes later I received an email rejection from the magazine.  Okay, I guess fate wanted me to send that story to the anthology.  We will see if the editor agrees.

Last month I had an idea for a piece of flash fiction (under 1000 words).  Problem was, it was about a new scam that is making the rounds and if I sent it to one of the paper magazines it might not appear for a year.  And, darn it, I wanted to make sure people knew about the scam now.

So I got a brain storm.  On Sunday I contacted Linda Landrigan and she agreed.  "Shanks Holds The Line" is now up on the Alfred Hitchcock's Mystery Magazine blog, Trace Evidence.  I hope you enjoy it.  (And thanks to our own R.T. Lawton for editorial help along the way.) 


But wait!  There's more!  Crime City Central is part of District of Wonders, a series of free podcasts that include readings of short stories.  (My favorite title is their science fiction entry: Starship Sofa!)

They asked me to contribute a story and so in their current entry you will find "Shanks On The Prowl," which originally appeared in AHMM back in May 2006.  The expert reading is by Rob Smales.  I had a fun time e-chatting with Mr. Smales, who wanted to make sure he got all the pronunciations of the character's names right.  I think he scored one hundred percent.

Okay, I'm sure the next few months will be back to humdrum normal.  I can cope.  Hoping you the same.

And here are last week's movie quotations, with the sources:

1.  -Well, I also feel it's about time someone knocked the Axis back on its heels.
-Excuse me, Baby. What she means it's about time someone knocked those heels back on their axis.  Leda Hamilton  ( Kaaren Verne)/ Gloves Donahue (Humphrey Bogart) All Through The Night


2.  Twelve people go off into a room: twelve different minds, twelve different hearts, from twelve different walks of life; twelve sets of eyes, ears, shapes, and sizes. And these twelve people are asked to judge another human being as different from them as they are from each other. And in their judgment, they must become of one mind - unanimous. It's one of the miracles of Man's disorganized soul that they can do it, and in most instances, do it right well. God bless juries.  -Parnell McCarthy (Arthur O'Connell) Anatomy of a Murder

3.  -If we wanted applause, we would have joined the circus. 
-I thought we did.  -Jack O'Donnell (Bryan Cranston)/ Tony Mendez (Ben Affleck)  Argo

4.  Exactly how many laws are we breaking here?
-You don't want to know. - Senator (Victor A. Young)/ Edgar Clenteen (David Morse) Bait

5.  -Your demands are very great under the circumstances.
-Why shouldn't they be?  Fat Gut's my best friend, and I will not betray him cheaply.  -Ahmed (Manuel Serano) / Dannreuther (Humphrey Bogart) Beat The Devil

6.  - I'm a brother shamus!
-Brother Shamus?  Like an Irish monk? -Da Fino (Jon Polito)/ The Dude (Jeff Bridges) The Big Lebowshi

7.  -Why did you have to go on?
-Too many people told me to stop.  -Vivian (Lauren Bacall)/ Marlowe  (Humphrey Bogart)  The Big Sleep

8.  Of course, you won't be able to lie on your back for a while but then you can lie from any position, can't you?  - Reggie Lambert (Audrey Hepburn) , Charade

9.  Saddam? His name's Saddam? Oh, that's real good, Bruce. Yeah, I'm gonna pin a medal on an Iraqi named Saddam. Give yourself a raise, will you? -Rick Cabot (Brendan Fraser) -Crash.

10.  Freedom is overrated.  - John Booth (David Morse).  The Crossing Guard.

11.  -Will two hundred dollars be enough in advance, Mr Reardon?
-Two hundred, I'd shoot my grandmother.
-That won't be neccessary.
-Never can tell. In my last case, I had to throw my own brother out of an airplane.
- Juliet Forrest (Rachel Ward)  / RIgby Reardon (Steve Martin) Dead Men Don't Wear Plaid

12.  There's a hundred-thousand streets in this city. You don't need to know the route. You give me a time and a place, I give you a five minute window. Anything happens in that five minutes and I'm yours. No matter what. Anything happens a minute either side of that and you're on your own. Do you understand? -Driver (Ryan Gosling) Drive

13.  I am Nikita! - Guess Who (Anne Parillaud)  La Femme Nikita

14.  -My father is no different than any powerful man, any man with power, like a president or senator.
-Do you know how naive you sound, Michael? Presidents and senators don't have men killed.
-Oh. Who's being naive, Kay?  - Michael Corleone (Al Pacino) / Kay Adams (Diane Keaton) The Godfather

15.  When you think of what they have to carry, all those jimmies and torches and skeleton keys, it's a miracle anyone ever gets burgled at all. - Lady Constance (Maggie Smith) Gosford Park

16.  Locked, from the inside. That can only mean one thing. And I don't know what it is. - Sam Diamond (Peter Falk) Murder By Death

17.  You know, this'll be the first time I've ever killed anyone I knew so little and liked so well.  - Helen Grayle (Claire Treveor) Murder, My Sweet

18.  Well, you take a big chance getting up in the morning, crossing the street, or sticking your face in a fan.  - Frank Drebin (Leslie Nielsen) The Naked Gun

19.  -It's a mess, ain't it, sheriff?
-If it ain't, it'll do till the mess gets here.-Wendell (Garrett Dillahunt) / Ed Tom Bell (Tommy Lee Jones)  No Country For Old Men

20.  -Is there a way to win?
-There's a way to lose more slowly.  Kathie Moffatt (Jane Greer) / Jeff Bailey (Robert Mitchum) Out Of The Past

21.  At least meet her. Maybe she'd be someone you'd like to kill.  - Owen (Danny DeVito)  Throw Momma Off The Train.

22.   He's a fanatic. And the fanatic is always concealing a secret doubt.  -George Smiley (Gary Oldham) in Tinker Tailor Soldier Spy.

23.  On TV is where we learn about who we really are.  Because what's the point of doing anything worthwhile if no one's watching?  And if people are watching it makes you a better person.  - Suzanne Stone Maretto (Nicole Kitman) To Die For

24.  - I need your help. I can't tell you what it is, you can never ask me about it later, and we're gonna hurt some people.
- Whose car are we gonna' take?  -Doug McRay (Ben Affleck) /  James Coughlin (Jeremy Renner)  The Town

25.  The greatest trick the Devil ever pulled was convincing the world he didn't exist. –Verbal Kint  (Kevin Spacey) The Usual Suspects
 

24 April 2013

Famous Last Words


Years ago, I read Clancy Sigal's novel GOING AWAY, which is a terrific book about the decline of the Old Left, in the 1950's, but I bring it up because of the epigraph, a guy on his deathbed.
"Take it away," he says.
"What, the pillow?" he's asked.
"No, the mute. I want to play on the open strings."
Nowadays, in this age of antibiotics, we forget that people used to take some time dying. I'm not talking about AIDS or cancer, but more generic, commonplace infections, like pneumonia, which today can usually be cleared up, but before penicillin, were pretty much fatal. People would take to their bed, and in their slow decline, their family and friends would gather around, to bring comfort and prayer, and nobody thought it odd to make note of what you said in your final moments. It might be despairing, or funny, or brave, and often very graceful. There's also the sub-genre of those facing the scaffold. Here are a few.

Give Dayrolles a chair. Lord Chesterfield
All my possessions for a moment of time. Elizabeth I
A dying man can do nothing easily. Ben Franklin
Let not poor Nellie starve. Charles II
Give the boys a holiday. Anaxagoras
I shall hear in Heaven. Beethoven
I want nobody distressed on my account. Ulysses Grant
All is lost! Monks, monks, monks! Henry VIII
I always talk better lying down. James Madison
More light. Goethe
Kiss me, Hardy. Lord Nelson
I owe Asclepius a cock. Socrates
My neck is very small. Anne Boleyn

Some of the best lines seem absolutely unrehearsed, naive in their sincerity. And some are poetry. Stonewall Jackson, shot by one of his own sentries: "Let us go across the river, and into the trees." We can easily imagine being surprised by death, but sometimes it comes by inches. My own mom died a protracted death, and it wasn't easy on her, or anybody else. When my sister and I took her to the hospital for what turned out to be the last time, she was so weak she couldn't even talk. But she looked at me, and made a scissors gesture with her fingers, snipping across her hairline. She meant it was time I went to a barber shop. In effect, my mother's last words to me were a grooming tip. It made me smile then, and it makes smile now. It was so human, and so much in character.

Perhaps the question is whether we die with grace. My favorite quote is attributed to the late actor Sir Donald Wolfit. Close to breathing his last, a friend asked him if he found death hard. Wolfit shook his head.

"Dying is easy," he said. "Comedy is hard."

05 October 2011

In Context


by Robert Lopresti

Follow up to my lament below. I have found a way to put the hotlinks in bold.
Beloved readers;

You may have figured out that Blogger is giving us some problems. This is mortifying for me because I was the one who suggested using it as a platform. Here's the latest kink: I put a number of hotlinks in this article and they are there and working but they aren't underlined as is usually the case. You have to run a cursor over them to find the damned things. THEN the underline appears. I have no idea why. So think of it as a fun game! Or don't. Grumble.


Back at our Old Location I may have mentioned three or four hundred times in passing that I am a reference librarian, and on occasion I have pointed out a favorite reference book or two.  Today's volume is a special treat for me because it is a government document. That's right, it was compiled with your tax dollars, so thanks very much.

Respectfully Quoted was edited by Suzy Platt and published by the Library of Congress in 1989. And this is cool, you can search it full-text online. (Sorry about the annoying ad that pops up.)

Briefly, RQ is a book of quotations compiled by a branch of the Library of Congress called the Congressional Research Service. So what makes it different from all the other dictionaries of smart-babble?

Pithy party


Well, let's think for a moment about how such books are compiled. There are two main methods. Either some expert reads a whole lot of books and finds a line he likes, says "Ooh! That's pithy!" and writes it down, or some expert reads a whole lot of books and finds quotations that other people have used, and writes them down.

But this book was compiled differently. You see, the CRS works exclusively for congresspersons and their staffs. So each of the lines in this book was asked about by a representative or a senator.

Well, what lazy devils. Why did they bother a bunch of librarians? Why didn't they just look it up in Bartlett's like everybody else?

You see, this is what makes the book unique. Let's say you are a senator preparing a speech. You find the perfect quotation, witty, to the point, perfectly making your case while devastating your opponents. You make your speech to wild applause.

The next day a reporter calls to ask why you had chosen to quote a statement that had originally been made in defense of Stalin's purges. At that point you know this is not going to be a good day.

If you are a politician you want to know the context in which something was said before you quote it. You don't want to use a term like final solution, modest proposal, or even crusade without knowing what they mean to some people. (Of course, you may also use quotes to pass a message to some of your listeners, which is sometimes called a dog whistle. Some people claim Michelle Bachmann is a master of this technique.) It would also be nice to know that the quote is genuine, and not something made up entirely or attributed to someone who didn't say it. And that's what makes Respectfully Quoted unusual. Each quotation has been checked back to its source and often provided with a context.

Who said?

All of these fall into the category of "attributed to but we can't find them among their works."

"Elect us and we shall restore law and order." Often attributed to Adolf Hitler.

"We must all hang together, or most assuredly we shall all hang separately." Attributed to Ben Franklin.

"You may fool all the people some of the time; you can even fool some of the people all the time; but you can’t fool all of the people all the time." Attributed to Abraham Lincoln.

"England and America are two countries separated by the same language" Attributed to George Bernard Shaw.

“The finest Congress money can buy.” Mark Twain did not say it. He did write the following: "I think I can say, and say with pride, that we have some legislatures that bring higher prices than any in the world." He intended to say this at a Fourth of July gathering in England but the US ambassador, General Schenck, decided that after his own wonderful speech no more were needed and cancelled Twain's. What a peach Schenck must have been to work for, huh?

Surprising sources

"Fifth Column." General:Emilio Mola used the term in the Spanish Civil War to describe those inside Madrid who would help the four columns of attackers outside.

"Founding Fathers." Apparently comes from that great speaker Warren Gamaliel Harding.


Odd but true


"These are stayed neither by snow nor rain nor heat nor darkness from accomplishing their appointed course with all speed." Who originated the famous motto of the mailman? Would you believe Herodotus? He was describing the messenger service of the Persian King Xerxes.

"You see things; and you say 'Why?' But I dream things that never were; and I say 'Why not?' I remember Ted Kennedy at his brother Bobby's funeral quoting Bobby quoting JFK with very similar words. But they come from George Bernard Shaw, who put them in the forked mouth of none other than Satan.

"I wept because I had no shoes until I met a man who had no feet." A boiled-down version of a a parable by medieval Arabic poet Sadi.

"There are three kinds of lies: lies, damned lies, and statistics." Attributed to Mark Twain, but Twain attributed it to Benjamin Disraeli.

"Winning isn't everything, it's the only thing." Vince Lombardi says he didn't say it. Some people say he did. Others says Red Sanders did.

"If an army of monkeys were strumming on typewriters they might write all the books in the British Museum." - Sir Arthur S. Eddington.

It's a fun book to browse. But don't quote me.