Showing posts with label Jim Winter. Show all posts
Showing posts with label Jim Winter. Show all posts

19 August 2014

Don Quixote, PI


When people talk about the PI, they always trace the character back to three writers: Dashiell Hammett, Raymond Chandler, and Ross MacDonald. Most people think the modern PI is based on Hammett's Continental Op. But you have to go farther back than that. Sherlock Holmes?
Well, yes, Holmes's fingerprints are all over the modern PI. He even has an erudite, if seemingly less intelligent, sidekick, the brainier forerunner of the psycho sidekick popularized in the Spenser and Dennis Lehane novels. But you have to go farther back. And I mean farther back than Poe's August Dupin, considered the first modern detective character.

No, the PI is a knight-errant, righting wrongs, defending the weak, and dispensing justice. The knight-errant was around for centuries, springing from stories of Siegfried the dragon-slayer, of Roland and Charlemagne, of the various knights of Camelot. But the archetype wasn't truly solidified until Miguel de Cervantes's comic novel, The Ingenious Gentleman Don Quixote of La Mancha (which I plan to review this Friday.)

[Cue needle across vinyl.] "Duh... What? Don Quixote was nuts! And his sidekick was equal parts wise and ignorant."

Yes, well...

The comic aspect of that dynamic did not really repeat on a grand scale until the classic 1980's sitcom, Blackadder. In the beginning, Prince Edmund, the Black Adder, is more bungling than mad, and sidekick Baldric is much smarter than he appears, frequently saving the hapless prince from himself. Later, the roles were flipped, and Blackadder became an evil version of Holmes - arrogant, clever, and just as sarcastic - while Baldric became the embarrassingly dimwitted sidekick who always had "a cunning plan" (that always ended in disaster.)

So what's this have to do with the PI?

Think about Holmes, particularly as portrayed at present by Messrs. Downey, Cummerbatch, and Miller. The modern depictions of Holmes have more in common with Blackadder than in prior decades, while Watson is portrayed as long-suffering and sometimes the source of Holmes' brilliance. This was Doyle's original vision of the pair, and you can draw a direct line back to Don Quixote and Sancho Panza. But whereas the don was off his rocker and Sancho had a simple view of the world, the impulses were the same: Quixote, like Holmes and like every PI character who followed him, loathes injustice and wants to see things set right. Panza, like Watson and the later stock psycho sidekicks, sees Quixote's (or Holmes's or Spenser's or Patrick and Angie's) mission as noble, though often has to show great patience standing in his brilliant partner's shadow.

The motivations and the levels of intelligence change. Even the personal missions change. Spenser, never mind Holmes, could not have thrived in the time of King Arthur or Charlemagne. And the whole thrust of Don Quixote's story is that the knight-errant was already part of a fictional past.

The PI is not the only evolution of Don Quixote, but it's the most obvious. Fans of Doctor Who can pick up on Quixote's madness in the Doctor, but it's darker and more bizarre. And more intentional.

So Don Quixote is still alive. When the PI is done right, the character taps into that zeitgeist. When it's not, he or she is simply parroting the Op and Marlowe.

15 July 2014

Criminal Savants


by Jim Winter

About a decade ago, several businesses on Cincinnati's east side suffered break-ins, almost always on a Sunday night. Police could not get a handle of the suspects. They would break in, lift the safe, and leave absolutely no evidence behind. By the time they had an arrest, they had found several safes in the nearby Little Miami River, and businesses had lost well over $100,000.

Surprisingly, two of the safe crackers worked for cigarettes. So how did the police find out?

Ring leader Jimmy Godfrey liked to walk into an East End bar and brag about his heists to his buddies.

Yes, the man smart enough to hit safes when they would hold the most money and insist on his fellow thieves wearing gloves while not allowing them to spit or use the bathroom was not smart enough to keep his mouth shut. The story of how the police busted this ring is straight out of a Tarantino film.

You would think Godfrey was a criminal mastermind. He forbade his fellow thieves from eating, drinking, smoking, or going to the bathroom to avoid leaving any traces behind for forensic technicians to find. See, Godfrey was a fan of CSI, and he actually learned something from the show. He even avoided wearing the same shoes twice on a job. Why? He didn't want anyone tracing the shoe prints.

Godfrey was also persuasive. He convinced his girlfriend and two relatives to work for cigarettes while Godfrey himself pocketed the cash. The problem was how Godfrey disposed of some of the swag he stole. One neighbor in East End, a rundown neighborhood along the Ohio River known at the time more for its Confederate flags and rusty cars than anything else, took a big-screen TV from a nearby shop and mounted it in his apartment. In 2004, big screens and LCD's were about as common as electric cars are today. Godfrey's girlfriend helped herself to a handful of expensive Christmas tree toppers.

Worse for Godfrey, some of his relatives were more than willing to sell him out to the police for very little. One woman received $35 in exchange for information about Godfrey's nocturnal activities. But they weren't the only ones. Godfrey's own worst enemy was Godfrey himself.

He paid very close attention to detail on his jobs: Taking care to leave no evidence, using rubber gloves, even timing his jobs for maximum take. However, he did two things wrong. His own cohorts sold him out since he would keep all the cash. But that was not his worst mistake. If you wanted to know who robbed Mt. Lookout Television, City Beverage, or the Sky Galley restaurant, just ask anyone living along Eastern Avenue, the main drag through East End. Godfrey would brag about his crimes to anyone who would listen.

To add insult to injury, Godfrey would have been done in by his own brother, who was sloppy by Jimmy Godfrey's standards. The younger Godfrey would frequently leave traces of himself behind, and once banged his head during a job. The injury bled which gave evidence technicians a nice DNA sample to use just in case Jimmy Godfrey clammed up.

24 June 2014

Kill My Landlord, Kill My Landlord (or How Eddie Murphy Sparked a PI Novel)


by Jim Winter

One afternoon in 1999, I was watching reruns of Saturday Night Live from when Eddie Murphy was the only reason to watch the show. Outside, my upstairs neighbor was up on a ladder doing some balcony work for our landlord. On SNL, Eddie Murphy began doing one of his most famous bits as a prison poet. The poem had the refrain "Kill my landlord, kill my landlord." Most people would just laugh and say, "Wow. Eddie Murphy used to be funny before Pluto Nash." And that thought did cross my mind.

But I also wondered if my landlord instead of my neighbor did the balcony work, could one getting away with shoving him off the ladder?

Kill my landlord, kill my landlord.

Naturally, I started scribbling notes. What was the landlord's name? (Not mine. I usually dealt with his wife, who was a very nice lady.) How do you shove him off the ladder and make it look like an accident? I spent the evening banging out the basics of a story and had 14 pages of an outline by the time I got shut down the computer. I even tacked on Eddie Murphy's poem at the beginning for inspiration.

Kill my landlord, kill my landlord.

All this went into my first novel, Northcoast Shakedown. I guarantee when people finally read it, they weren't thinking of Eddie Murphy. They might have wondered if my landlord looked over his shoulder or if I had a blonde neighbor who entertained me with chicken wings. (I had a blonde neighbor. Never saw her eat wings.)

It's one of the more unusual places someone has found an idea for a story. Pink Floyd's The Wall might be the most odd. The classic album sprang from an incident where Roger Waters spat on an obnoxious fan. It wasn't even the most memorable incident that night. (Waters hurt his foot later horsing around backstage.)

I talked before here about where stories come from. There were the usual sources: Snatches of conversion, ripping from the headlines, what if scenarios. It's these strange moments that grab a writer's mind that are the most interesting. Sometimes, there's not even a story in the beginning. There are only disparate elements that a writer finds interesting and keeps mixing them up until he has a story. Think Caddyshack. The original story about a caddy trying to get a scholarship is still there as a polite suggestion, but Harold Ramis had no clue what his movie was about until he realized the real conflict was Bill Murray vs. the gopher.And that was after the movie was finished.

10 June 2014

A Place In History


I was telling my son a few months back about a story idea that had occurred to me.  It would draw from my days in the army when I was stationed in what was then known as West Germany, or the Federal Republic.  He listened politely, then observed with a snort, that I was writing a "historical."  With that single word I suddenly realized that my earlier life had entered the slipstream of history.  It was a sobering thought that carried with it undertones of pending mortality--my pending mortality.
"Smartass," I replied, my ancient and inflexible brain unable to come up with a pithier rejoinder.  This was the same son who had been born in Germany, though he recalls very little of our time there.  And since this piece concerns itself with history, it is worth noting that Robin gave birth to him at Landstuhl Military Hospital while survivors of the Marine Barracks bombing in Beirut were being cared for there.  Two hundred and forty one marines died in that attack, an incident I would later be moved to write about in a story titled, "Ibrahim's Eyes." 

Later that evening, I unearthed some photographs from that time and place.  They were pre-digital and had acquired a yellowish patina.  The people captured in these snapshots bore a strange resemblance to my own family and myself.  I was relieved to note that other than the deep lines in my face, my hair having gone completely gray, and a sagging neckline, that I had hardly changed since these pictures were taken.  I was about the same age then as my son is now.  The time was the early 1980's. 

In one photo, my family and I stand beneath a sign for the town, or stadt, of St. Julian, holding an infant of the same name, the male heir and aforementioned future smartass.  We look healthy and happy even though we are in a strange land through no desire of our own.  The assignment was for three years--the army would involuntarily extend it by six months (I was that necessary to the effort).  We knew no one and were a very long way from our families.  Letters took a long time to transit the mighty ocean, and phone calls to friends and loved ones were hideously expensive for a G.I. supporting a family of five.  I would spend weeks away on training maneuvers.  Still, we managed to make a great time of it, for which I mostly credit my imaginative and indefatigable wife.

My father had also been to Germany courtesy of the U.S. Army (more history), having arrived on Normandy Beach on D-Day and fighting his way into the Fatherland.  Naturally, he had some assistance in this--I believe a cook accompanied him.  It was funny to think of myself there so many years later.  The barracks my unit was assigned to had been formerly occupied by Nazi troops; our artillery range established by the same.  Even so, there were many, many differences between our visits--the most obvious being that no one was actively shooting at us.  The main threat was now the Soviets and their allies.  Both the East Germans and the Czechoslovakians manned the borders between the American and Soviet spheres, while the West Germans, and us, manned our side.  I'm not sure that the Germans loved us exactly, but they liked us a lot better than the alternative.

That being said, there were radical groups within the Federal Republic that were dedicated to the expansion of communism throughout the west, and by any means possible.  Two of these, the Baader-Meinhof Gang (they called themselves the Red Army Faction), and the RZ, or Revolutionary Cells, could be extremely violent.  Throughout the late sixties, seventies, and eighties, they were responsible for a number of bombings, murders, kidnappings, bank robberies, and airline hijackings.  They trained and networked with several middle-eastern terrorist groups; their ideological brethren in Italy and France, and received money and logistical support from the East German Secret Police, the feared Stasi.  They succeeded on several occasions in bombing American military bases; killing and wounding both soldiers and civilians.  They were no less savage with their fellow Germans.  We were cautioned to examine our cars, if we owned one, before putting a key in the ignition.  That seemed good advice to me.

Meanwhile, I functioned as an intelligence analyst assigned to the 8th Infantry Division Artillery.  Not very glamorous or exciting.  My vast knowledge of Soviet tactics, equipment, weapons, and training, however, were largely responsible for discouraging the Russians from doing anything foolish.  They realized early on that they were simply outclassed.  You may recall that the Iron Curtain would crumble altogether within a few years of my arrival in Europe.
My Soviet Counter-Part

Now, a few decades later, I contemplate fashioning a novel out of that distant time and faraway place.  Even to me, it now seems as if this were another world altogether--quaint, if somewhat dangerous.  The Soviet Union no longer exists, and its demise led to the birth (or rebirth) of dozens of nations.  Germany has been reunited.  Czechoslovakia has been disjointed; the face of Europe made completely foreign to my time there.  Yet, I was there and an actual participant.  And though it did not appear unique to me as I was living it, it became history even so.

Shortly after I wrote this, the Russian Bear reentered the world stage in the Crimea and is growling at the Ukraine.  Perhaps my experiences are not so remote in time as they seemed.  History keeps happening and I'm expecting a call from Washington any minute now, "Dean...we need you...we need you now!"



Switching focus here: As most of you know, Dale Andrews was injured in the line of duty, so to speak, and is now on hiatus.  We have discovered that to replace him required the talents of not one, but two, able-bodied writers: Stephen Ross and Jim Winter, both of whom have graced us with their talents of late.  They have graciously consented to share the yoke on a semi-permanent basis.

Next Tuesday, June 17th, Stephen, through the miracle of the internet, will appear among us all the way from New Zealand.  Or at least his blog will.  Stephen will probably remain in his native land.  But I don't know, as I have heard that his people have harnessed powers that the rest of us can only dream of.  Jim, who is an Ohioan, and speaks a dialect of our language, will share his thoughts with us on the following Tuesday, June the 24th.  From there on out, Tuesdays will rotate between the three of us.  Please give our new co-conspirators a round of virtual applause, and tune in on Tuesdays for exceptional, and once again international, entertainment!

21 May 2014

A Greek God in Every Book


Jim Winter
Born near Cleveland in 1966, Jim Winter had a vivid imagination – maybe too vivid for his own good – that he spun into a career as a writer. He is the author of Northcoast Shakedown, a tale of sex, lies, and insurance fraud – and Road Rules, an absurd heist story involving a stolen holy relic.

Jim now lives in Cincinnati with his wife Nita and stepson AJ. To keep the lights on, he is a web developer and network administrator by day. Visit him at JamesRWinter.net , like Jim Winter Fiction on Facebook, or follow him on Twitter @authorjimwinter.

There’s a Greek God in Every Book

by Jim Winter

Lately, a lot has been made about the Hero’s Journey, Joseph Campbell’s template for myths and legends. It’s most obvious examples in modern times are Star Wars and the Harry Potter series. But sometimes, trying to plot around the Hero’s Journey can lead to formulaic writing. It can also lead to some very shallow clichés. There’s a difference between paying homage to The Maltese Falcon and creating unintentional parody.

Not that I know anyone who’s ever done that.

A few years ago, however, someone introduced me to a pair of books by psychologist Jean Shinoda Bolen. The first was called The Goddesses in Every Woman. It had a companion book, which I also read called The Gods in Every Man. In them, Bolen posits that the pantheon of Greek gods served as a personality spectrum for the human race. If you find a Greek god or goddess to attach to a character, I discovered, you can use that to flesh out a character. Does it apply to crime fiction?

Oh, come on! Really? Let’s take a look at some of the more common ones. You’ll be surprised.

ZEUS: Zeus is the king of the Greek gods. His personality is simultaneously the calm, solid leader and the petulant overlord who will preserve his position at all costs. Think of most CEO’s. They range from the brilliant innovators (Larry Page and Sergey Brin at Google) to the self-absorbed jerk with too much money and power (Donald Trump). Perhaps the darkest crime fiction example is Noah Cross, the water baron in Chinatown.

ATHENA: Athena was the goddess of wisdom and the goddess of the law. Athena types tend to be a bit aloof, a little ruthless if only because their mission calls for it, and extremely logical. Hilary Clinton is an Athena, as are tech CEO’s Meg Whitman and Carly Fiorina. In crime fiction, they are the female judges, who tend to be less hot-headed and more strict than their male counterparts.

POSEIDON: Brother of Zeus, king of the seas, Poseidons either wish they could be leaders, blaming others for their shortcomings, or they are leaders lacking confidence. History’s best known Poseidon is Richard Nixon, whose worst enemy was himself. A more benign example might be Bill Lumberg from the cult classic movie Office Space, who can’t relate to his underlings and speaks with a huge lack of confidence. Many male PI characters are Poseidons, such as Philip Marlowe. Marlowe does not play nice with others and vents his cynicism and anger at the system through wisecracks and semi-poetic similes.

ARTEMIS: Artemis is the twin brother of Apollo. Like her twin, she is often competitive and fiercely independent. Artemis types are a good model for female PI characters as they don’t really like being told what to do. Erin Brokovitch, the brassy activist, is a good example of an Artemis, refusing to accept the status quo. In crime, Kinsey Millhonne is a prime example.

HADES: The lord of the underworld is a tough one to figure out. He’s the role model for both Obi-wan Kenobi and for Hannibal Lecter. It all depends on which direction you want to go. Hades types spend a lot of time up in their heads. When it works, they’re contemplative philosophers. When it doesn’t, they’re in a world of their own that can be dangerous to those around them. The Dalai Lama and Ted Bundy are two sides of this very strange coin. Dexter would be a crime fiction example. Then again, so would Joe Pike.

HERA/DEMETER: Hera is the wife of Zeus and goddess of marriage. Demeter is the goddess of the harvest and mother of Persephone. I put these two together because they are defined by fierce loyalty. Hera is fiercely loyal to her husband. Demeter is loyal to the point of murder to her daughter. One is proverbial woman behind the man. Think Nancy Reagan. The other can easily be the overbearing mother. Think Joan Crawford in Mommie Dearest.

HERMES: Messenger of the gods and the Greeks’ answer to the Trickster archetype. (Think Loki, Thor fans.) Hermes is forever boyish and forever the smartass. A typical Hermes response to a stressful situation is to crack wise. That’s almost every male (and quite a few female) PI character you ever met. Spenser is the king of the Hermes PI character, followed very closely by Elvis Cole.

APHRODITE: You’d probably think Aphrodite is the archetypal slut. You’d be right, but you’d also be wrong. It’s much deeper than that. The movie There’s Something About Mary is a whole treatise on the Aphrodite personality. Cameron Diaz’s Mary is hardly a loose woman, but every male character in the movie falls hopelessly in love with her to the point of insanity. Sometimes, a woman of this time knows how she affects those around her and uses it. That’s the classic definition of the femme fatale. Other times, they seem oblivious to it. They may or may not be the damsel in distress, but men either want to her or to possess her.

DIONYSUS: This is the strangest one of all, and you need only look at the prime examples of this personality type. Dionysus, the god of wine and debauchery, also had a rebirth component to his myth. So Dionysus is either the eternal hedonist or the martyred messiah. In crime fiction, rock star Johnny Boz dies at the hands of Catherine Tramell in Basic Instinct. Both are hedonistic Dionysus types. From the more messianic perspective, take a look at Sean Chercover’s The Trinity Game, where huckster televangelist Tim Trinity finds himself becoming an unwilling mouthpiece for God. You know where this is going to end.

There’s more, of course, and Dr. Bolen’s books aren’t really writing guides. Nonetheless, they offer a fascinating insight into how ancient cultures tried to use their religions to sort out the confusing vagaries of human behavior. They were almost the first psychology guides ever written.