01 December 2025

“Writing is thinking.”


             My wife made this observation many years ago, and it has not only lingered in my mind, but grown in significance as I’ve experienced the effects. 

Here’s the premise:  When you’re just thinking something, it’s an undifferentiated ball of feelings, memories, randomly firing synapses, unstructured language, side tangents and fleeting images.  A swirl of disorganized, unmediated mush.  When you have to express all that via the written word, you have to “think it through”.  In other words, your mind imposes order and continuity to the original jumble, recording feelings and vague impressions in a way they can be conveyed to another person, essentially “completing the thought.”  Writing it down makes it real and tangible, and adds a fair amount of useful cognition along the way.

Fiction writers often mention those strange, and unfortunately fleeting, moments when something seems to be writing itself.  It’s suddenly effortless, the words flowing on the page as if directed by divine inspiration.  What could be happening, miraculous though not quite as romantic, is your brain, as your write, quickly sorts out all the inchoate reasoning that’s been going on in the background, and letting you reveal what you’d been thinking all along. 

It's also possible that the language you’re putting on the page is triggering other thoughts, which then express themselves as words, sentences and paragraphs, which then fuels further thinking, and concomitant writing, and so forth in a virtuous circle.

Brain scientists describe a process whereby raw emotions express themselves, spontaneously and involuntarily, as words in the heat of a stress-filled moment.  This is when your amygdala (once referred to as your “lizard brain”) gets so riled up that it sends a message right to your mouth, or in extreme cases your fists, bypassing all that other refining and moderating circuitry.   We usually apologize after one of these episodes by saying, “Sorry, I lost my temper.”  Or “Really sorry.  I guess I lost my mind.”   The latter is technically more accurate.  You have, in fact, lost portions of your mind when they’ve been sidelined, or hijacked (an actual clinical description) by the primitive bits from our evolutionary past.


I bring all this up to illustrate that it’s not unreasonable to assert that thoughts originating in one part of the brain can find themselves transformed for the better as they pass through the other parts.  Why the purely emotional sensations you might feel witnessing the dawn of a beautiful spring day can splash across a piece of paper in the form of a sonnet, and you have no idea how it got there.

 It would be fair to say that speaking serves the same purpose.  It also organizes the cacophony of impulses and feelings that constitute thought into discernible meaning you can communicate to other people.  That’s true, though written language operates at a different level.  It is more structured, intricate and reliant on basic logic.  You are more likely to be working your way to a conclusion, a summation that faces greater rigor than merely thinking out loud. 


            My wife would maintain that the act of writing itself not only harnesses thought, it is a type of thought itself that arrives at a destination unreachable by any other means.  It’s possible that some fiction writers compose their work fully in their heads before delivering it to the page.  But most are like me.  I have some idea of what’s going to happen in the next chapter, but I really won’t know for certain until I get there.  Often, my assumptions are misplaced, and the narrative goes merrily off in another direction entirely. 

You could argue that writing is merely a tool that facilitates thought, and by extension, creativity.  Feel free, but in my experience, no good ever comes from arguing with my wife.  

6 comments:

  1. Interesting, about the amygdala, Chris (former health professional here - my brain kicks into gear when I hear words like this! I've had to change the way I write - if you want to get advances on novels, you have to plan out the story in advance, and write an outline. I can waver from the outline, but man, that nice advance is a mighty fine incentive! Melodie

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    1. Mel, do you realize that's one way to separate the patrician fiction-writing sheep from the plebeian goats? The goats have to write the whole novel to get the advance.

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    2. Chris, I've experienced more than one way of "the story writing itself." Of course I've had the inspired moments you describe, when we're "in the zone," gripped by inspiration or what in another age was called "the Muse;" Louisa May Alcott's Jo March (and probably Louisa herself) called it being "in a vortex." Lately, I've also found stories—darker and in a different voice than my conscious mind writes, sometimes approaching horror, or continuations of what I've been reading or watching the night before, well plotted with great dialogue but not at all what the authors or screenwriters come up with—unscrolling before my eyes after I wake in the morning. I don't write the fan-fic ones down, but I've had a couple of the originals published as flash stories. In what dank dungeon of my mind do those originate?

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    3. The only irksome issue with an advance is you have to earn it back. I'd prefer something like a signing bonus. I know, never gonna happen, but it's pleasant to contemplate.

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    4. Freud has taken his licks in recent years, often justified, but I think he was on to something regarding the subconscious. Much of his speculatoin has been verifed by hard science, and reported on to great profit by commentators like Malcom Gladwell (Blink). It sounds like yours has been working hard on creativity and composition. You might benefit from an access portal. An Indian shaman might be of help here.

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  2. My Dad used to express thoughts relating thinking and wording, observations that at first seemed off the wall. One was: Control the language of people and you control how they think.

    Campaign slogans are an obvious example, advertising another. Change the name from inheritance tax to death tax, and suddenly the very rich can pass on their wealth untouched. Writers often have no idea how much power they wield.

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