Showing posts with label opposite sex. Show all posts
Showing posts with label opposite sex. Show all posts

12 March 2018

Viva la difference

by Jan Grape

Jan Grape
As a female writing about a female character I feel it is all natural because I am a woman. I can put my head into the mind of a young woman or an older woman.

I also think I can write a fairly good representation of a male character. Mainly because I had two boys and I had a husband for almost 40 years who was a great teacher about men and how they think.

Of course, I'm not an expert because I have never been a man. I did mention good maybe not great.

However, through the years of reading I have run across writers who I think are able to write strong and excellent characters who happen to be of the opposite sex.

Susan Rogers Cooper has a male character, Milt Kovack, who is a sheriff. He is such a realistic male character that Susan has even relieved a fan letter chiding her for publishing under a woman's name. The fan swore she had to be a man.

I have to agree in part because I know Susan is a woman, but she does write a very realistic male.

On the other side, John Lutz writes very realistic women characters. They are strong, independent and certainly never depend on a male to rescue them.

Robert B. Parker also wrote strong women. He often got into philosophical discussions with women leaving them surprised.

Best-selling author Michael Connelly has written a new book, THE LATE SHOW, featuring  Detective Renee Ballard. This is a female character he fully intends to be a series character.

In the back of the book is an interview. The question is asked if he can describe Renee with one word. He has described Harry Bosch as "relentless." Michael says he knows a real-life homicide Detective Roberts that Renee is loosely based on and he would describe Roberts as "fierce," which is close to relentless.

A woman detective working in a job that is predominately male has to be better than her male co-workers in order to gain respect. She must be fierce.

I think this is true and yet to make a female character more realistic she should show a little vulnerability. Unless your plan is to have her be a bitch. Personally, I think Connelly has done a fine job with Detective Ballard.

Viva la difference.

05 June 2016

It’s the Little Things

by Leigh Lundin

Getting inside a woman’s head is tricky; some say it's nigh impossible. I like trying though… not to mess with her but to write about her. I know what guys think, at least this one, so how can I resist exploring the world inside my favorite subject… women? Brave and foolish, huh, but I don’t entirely botch it. In my earliest days of writing, I wrote a story of a woman with low self-esteem. A professor singled it out as an example of writing from the viewpoint of the opposite sex. I like the discovery. When in doubt, I'm not afraid to ask.

Last month, Eve Fisher reviewed Janice Law’s Homeward Dove. The article was so good, I bought the book. I can’t compete with Eve’s excellent report, but I want to address the book’s characterization– Consider me gobsmacked.

A lot of women write from a male’s point of view. Many are terrific at it, others– meh. Don’t think this hyperbole, but I’ve never seen anyone pull it off like Janice Law.

To be sure, she’s received excellent reviews and awards for her Francis Bacon series. I would find it tricky to get into the head of a gay artist, but Janice pulled it off with aplomb.

In Homeward Dove, she slips into the skin of her main character, Jeff Woodbine. He’s a blue collar 20-something initially drifting and grifting in a big-box electronics store and working in the building trades. Jeff says ‘should of’ instead of ‘should have’ and is better with tools than he is people. He likes beer, sex, sports, and fishing.

At first blush, that doesn’t seem like much characterization but that’s not what we're talking about. A Very Famous Mystery Thriller Author started a series writing from a woman’s viewpoint. For characterization, he stopped the story in places to discuss fashion and to badmouth men. It wasn’t characterization and it wasn’t authentic.

The thing with Janice, her Jeff is so authentic, I can’t see the hand behind the curtain. He’s real. He grows introspective. He matures. She uses setting to her advantage. He lives in New England, so he watches the Red Sox, drinks Rolling Rock, and he doesn’t eat a hoagie, a hero, or a sub– he wolfs down a grinder.

These are minor points, but our boy Jeff knows the intricacies of rebuilding a roof and rebuilding a carburetor better than rebuilding a relationship. He knows his tools and his lumber. More to the point, we feel his fear of heights and fear of relationships.

I can’t discuss a couple of traits without introducing spoilers, but in a way I’m not sure how she pulls off Jeff’s character. Sure, he knows the difference between a rotary and a reciprocating saw and minutiae women aren’t likely to know, but these are like tiles in a floor. We see and admire the tile, but we don't notice the unappreciated grout that supports and enhances the tiles.

Janice understands the need in a male to protect and the craving to be heroic. She also brings out men’s insecurities, not those that women giggle about, but the deeper, little-boy-lost syndromes no man will admit to. In the case of Jeff, he’s the victim of his own quiet desperation.

The novel would make an interesting subject for literary analysis, deconstructing it to see how it works, much like Jeff and the little boy take apart engines to study them.

That brings me to a final point. When Eve summarized the plot, I could not imagine how a little boy might communicate his, well, accusation for lack of a better term. But again, Janice pulls it off.

Who are your favorite cross-boundary authors? What suggestions for writers do you have?