Showing posts with label Dean Wesley Smith. Show all posts
Showing posts with label Dean Wesley Smith. Show all posts

11 July 2017

Criminal success: Success and/or Challenges You've Faced in Writing Crime


Kris Nelscott: I’m amazed at how easy it is to find information that I shouldn't be able to find. In my Smokey Dalton series, the books are set in the late 1960s. One book, The War At Home, deals with bomb-making. I found, in a memoir by a former member of the Weathermen, the recipe for their bombs. I used a part of it, but left out several ingredients on purpose. My NY copy editor added them back in. No, nope. No. I'm not going to give anyone a roadmap into bomb-making. Or other crimes, for that matter.

Rebecca Cantrell: I love meeting readers, although I once had a reader come up to me and say: "Your mystery is so good! I bet you could even write a real book!"

Annie Reed: The challenges for me pretty much all stem from having to step inside the head of a truly bad person in order to write from their point of view. Basically putting myself inside the head of a psychopath to write from that person's perspective.  Oogy stuff. The successes come from writing something that forces me to write outside my normal comfort zone.

O’Neil de Noux: The greatest challenge was learning my craft. No one can teach you how to write. You can learn the basics, the ‘how to’, but you have to do it yourself to get it done.
Successes are few. Sales have never been big. A little recognition in the media at the start of my career was nice. The awards are certainly nice. Being recognized by my peers. My writing has been awarded a SHAMUS Award, a DERRINGER Award, the UNITED KINGDOM SHORT STORY PRIZE. Two of my mystery stories have appeared in the BEST AMERICAN MYSTERY STORIES and my novel JOHN RAVEN BEAU was named Police Book of the Year by police-writers.com.

Dean Wesley Smith: I suppose that at first I thought it would be too complex for me to figure out. Turns out, for me and how my mind works with puzzles, they are the easiest books to write.

Melissa YiMy definition of success keeps changing.

First, I desperately wanted a professional publication, because it meant that I was a “real writer” in my mind. I was good enough that someone wanted to pay me for my words.

Then I was anxious to sell repeatedly, for more money, in more magazines. 

My next skill leap was jumping from short stories to novels. I had to talk myself into it by saying, “Look, novels are just connected short stories … “

So then the next rung was selling my novels and making some money.

In 2010, my collection of light-hearted medical essays, The Most Unfeeling Doctor in the World and Other True Tales From the Emergency Room, hit the Amazon bestseller lists. For the first time in my life, I was reaching lots of readers, and money hit so quickly that I ended up with a bunch of cheques in British pounds that I didn’t even have a bank account to accommodate.

Now I was ringing the money bell, certainly not to the tune of six figures a month, the way some writers seemed to, but way beyond anything I’d accomplished before or since. But it didn’t make me as happy as I thought it would. My fiction wasn’t getting the same audience, and I got a lot of blowback in the form of hate mail and vigorous one-star reviews. So I made up a new definition of success: Writing connects me with people, places, and things that excite me.

You can see my evolving definition of success here, which is sort of a writing bucket list. When I look back at it, I realize that in 2010, writing was giving me money, but no fun. Once the critics came out with their knives, I froze up a bit at writing non-fiction. 

Since then, I’ve made a point of having fun. Or at least trying new things. Probably the most bizarre thing I did was a two-day Ido Portal handstand workshop when I’ve got minimal upper body strength and rarely hang out upside down. But I also went to Los Angeles twice as a finalist for the Roswell Award, and I headed down to New York and Boston for the Jewish Noir book tour. All awesome.

However, now that I’ve had some fun and can no longer crack Amazon’s algorithms, I’d like to make a living with my writing. Or, as I put it on my bucket list, I want to be able to say, I could quit my day job and write full-time, whether or not I choose to do this.

 Click here if you want a link to all platforms.And for success, I’m thrilled to report that Canada’s national book show, CBC Radio’s The Next Chapter, chose Human Remains as one of the great summer must-reads of 2017!

(If you’d like to join the Human Remains party, the e-book's only $3.99 on all platforms. You can download it for free on Kobo with the code HRemains. This code only works on Kobo, not Amazon, and will only last until July 31st.)

Looking at my fellow writers' opinions, I see that a lot of my writing goals and dreams are very external. I don’t have a lot of control over which editors publish my work, how much money flows to me every year, or how my books are reviewed. 

I should set some writing goals that I can control, like how many words I write per week, or how many stories I submit to magazines, or craft goals, like improving my setting.

What about you? How do you define writing success and/or challenges?

20 June 2017

The Darkest Crime

by Melissa Yi, Patreon

I managed to collar some of my favourite writers for an interview.

Melissa YiWhat attracts you to writing crime? In other words, "But you look so normal!"
Rebecca Cantrell (New York Times bestseller): Don't I just? That's how I lure them in...readers, I mean. I love writing crime because I have an overblown sense of justice and, despite having heard many warnings to the contrary, I want life to be fair.

O’Neil De Noux
 (winner of the Shamus Award and the Derringer Award): Grew up reading a lot of crime fiction. My father was a police officer, my brother was a cop, two of my cousins were cops. I became a cop, served as a road deputy (patrol officer), organized crime intelligence officer and homicide detective. I also worked as a private investigator for eight years. I always knew I’d write and took notes throughout my career. In the middle of it, I started writing novels.

Annie Reed (finalist in the Best First Private Eye Novel contest sponsored by St. Martin’s Press and the Private Eye Writers of America): I love stories that impose some sort of order on chaos. Since mysteries/crime fiction has to be resolved by the end of the book, they're perfect for me. Plus, I love figuring out puzzles. And, you know, I'm the quiet one in the corner that your mother warned you about. *g*

Dean Wesley Smith (USA Today bestselling author): I love the puzzle aspects of mystery and crime. I never know who did what when I start off, so I get to entertain myself as my characters solve the crime. So I love to read mystery, I love to write it as well.

Kristine Kathryn Rusch (New York Times bestseller who is also an Edgar and Shamus Award nominee): Oh, my, such a convoluted question. I used to work part time for a forensic psychologist. I would administer his Minnesota Multiphasic Personality Tests to the criminals (and others) who came in, as preparation for court. (I met a number of murderers and arsonists. The murderers didn't scare me. One arsonist scared the crap out of all of us.) One day I took the MMPI myself, and scored exactly the same as both the cops and the criminals. Now, I remember when the first cop scored similarly to a criminal; my boss told me that was common. Cops and criminals are two sides of the same coin. But I scored high there too. I showed it to him (fearless person that I am.) And he said that I scored that high because I lived "outside the norm" which is what it measured. But I wonder. Maybe I'm just predisposed to seeing the dark side of human nature--and being fascinated by it.

Reader: Wait a minute, Melissa. How did you meet such illustrious authors, along with Anthony Award finalist Libby Fischer Hellmann and New York Times and USA Today bestselling author J.F. Penn?

Melissa Yi: Er, I hang around with famous people all the time.

Reader: <cough, cough>

Melissa Yi: Shh! They were just about to tell me about some of their favourite books!

Rebecca Cantrell: My main character, Joe Tesla, has agoraphobia and can't leave the tunnels under New York. In this book, I got him a submarine and let him explore the ocean with his service dog.
Did you know dogs can scuba dive? I didn't before I started this book.

Melissa Yi: I didn't, but dogs are pretty amazing.

Annie Reed: Parents walk a tightrope trying to figure out how much freedom to give their kids while trying to keep them safe from the creeps and predators in this world. The internet makes it so much easier for the bad guys to get their hooks into unsuspecting kids, and it's not always obvious who the bad guys are. I had to walk that tightrope with my own daughter when she was in her teens. We got lucky. A lot of families don't. That's the reason I wrote PRETTY LITTLE HORSES.

O’Neil De NouxGRIM REAPER was my first novel, written at a dark time not long after I left the homicide division. It has a lot of anger in the book – showing the pressure and often numbing effect of witnessing repeated violence. It’s raw. It’s the most realistic book I’ve written.

Dean Wesley Smith: Actually, the series is close to my heart. Having retired detectives working on cold cases in Las Vegas has numbers of elements I love. First off, retired humans feeling worthwhile by helping put to rest mysteries that have left families always wondering. And Las Vegas is my favorite place on the planet. So all win for me.

Kristine Kathryn Rusch: The opening to Spree, that van on that highway, was a vehicle I had actually seen. I hate that highway in Nevada. The remoteness scares the crap out of me. And I knew that van had a story. I wrote the story very fast, and it surprised me, so I figure it'll surprise readers too.

Reader: Hang on. There's something familiar about all these books. Melissa, didn't you write a book about a hit and run?

Melissa Yi: Yes, NOTORIOUS D.O.C. Eight years after a woman is killed in a hit and run, her mother is still searching for justice, and Dr. Hope Sze is the only person crazy enough to take on her case. After I gave birth to my son, I read the first draft of the novel and said to myself, This book is about a mother's love for her kid. I threw away the first version and wrote a whole new and more powerful story.

Reader: I know what this is. This is a Storybundle!

Melissa Yi: Wait a minute. Who's running this interview?

Reader: I'm serious! I know what this is. You pay as little as $5 for five stellar crime books, or if you beat $15, you unlock another five bonus books! But it only lasts for two more weeks. I even found the link: https://storybundle.com/mystery

Kristine Kathryn Rusch: You left out two things: the way it introduces readers to new writers and the way that it brings in charities. I really love the charitable aspect. This bundle's charity is AbleGamers, which I think is extremely worthwhile.

Annie Reed: As a reader (and a bargain hunter), I love getting a bunch of great fiction at an insanely low price, and at the same time being able to support a wonderful charity. As a writer, I'm thrilled to be included with a group of awesome writers, some of whom are new to me, and I can't wait to read their work!

Melissa Yi: Okay, you've outed us. How did you get so smart?

Reader: When you read, it's a chicken and egg sort of question.

Melissa Yi: “Until I feared I would lose it, I never loved to read. One does not love breathing.”

Reader: Harper Lee. To Kill a Mockingbird. Which is not part of this bundle, but it should be.

Melissa Yi: Amen, brother. Amen.


18 April 2017

Help(,) Police!


Imagine feeling like every kiss goodbye to your loved ones each day might be your last kiss. Police officers and their families feel this way every single day. Karen Salmansohn

Let me be clear - no one is above the law. Not a politician, not a priest, not a criminal, not a police officer. We are all accountable for our actions. Antonio Villaraigosa


The police feel besieged. Like they can’t get anything right. Everyone wants them to save us from the bad guys, yet never persecute or killing any innocent people. That’s the ideal. They’ll never live up to it.
I feel for police. I relate to them. As an emergency doctor, I also have to deal with the most violent, most ignorant, most manipulative people, and I'm not allowed to make mistakes.
And yet we’re all human. We’re all going to make mistakes. Mistakes that sometimes kill people.
It's so easy for those outside the system to point their fingers and talk about how awful we are, yet those same critics never step in the arena.

It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood; who strives valiantly; who errs, who comes short again and again, because there is no effort without error and shortcoming; but who does actually strive to do the deeds; who knows great enthusiasms, the great devotions; who spends himself in a worthy cause; who at the best knows in the end the triumph of high achievement, and who at the worst, if he fails, at least fails while daring greatly, so that his place shall never be with those cold and timid souls who neither know victory nor defeat. Theodore Roosevelt

That said, I am a Black Lives Matter supporter. I never want to detain or kill innocent people. It is never acceptable.

But I feel for individual police officers who are doing their best, who are trying to save the public, who are literally putting their lives on the line every day and every night, for very little thanks and little pay, and a ton of screaming abuse.
So how do we support the police and make sure that the people are protected?
And how do we write about them?
“Where are the police?” Dean Wesley Smith asked me, about my first draft of Code Blues.
Look, they match!
Please admire my new cover.
The truth was, I didn’t know much about the police, so I wrote around them at first and had to add them to subsequent ones. 

Dead bodies? Check. A daring doctor who solves the crime and saves the day? Check. But the police who’d be investigating the murder? Hmm. They came in and dragged away the bad guys at the end of the book, but what about the beginning and middle?

I tried to correct some of my ignorance by attending Writers Police Academy in August.
I’ve written about some of the seminars I attended, but it really made my day when they critiqued my police interrogation scene in Human Remains. Writing about officers is a balancing act. I want to be realistic and portray the police as neither saints nor Satan, but somewhere in between. I want to create tension and drop clues to the murder, yet stay in Dr. Hope Sze's PTSD point of view.

Paul M. Smith wrote, “In a nutshell, the interview sounds very realistic and I don't really have any suggestions for change. You did a good job.  The only thing I could think of is that prior to any interview/interrogation the officers would have read her her rights, even if she wasn't a suspect. Otherwise, if at sometime she would become a suspect none of the interview would be admissible in court.”

Colleen wrote, “The questions you asked are very relevant and realistic. Cops love timelines and nail down timelines  - for suspects. When the timeline doesn’t match, then we begin to peel back the layers of deception for the truth. Nice job.”

Officer Matt wrote, “It looks good and sounds real. The use of the word Billy club is good. Cops call it a baton, but to the normal citizen, it is appropriate.”

Mike Knetzger wrote, “Yes, these are realistic questions. You might also want to explore the cognitive interview technique for some additional insight into questioning people about what they did before a significant event, such as finding a body.”
When Hope asks for a lawyer, Mike suggested that the officer reply, “I can’t give you legal advice.”
At the end, when Hope points out that they’ll be able to track her and her boyfriend’s footprints in the snow, Mike wrote, “When people mention footprints to me, I often reply, “‘Footprints? Are we looking for Big Foot or are we looking, instead, for shoe prints?’”
It made me realize that language has to be precise, especially when you’re dealing with legal matters. So yes, it would be shoe prints (or boot prints, because we’re in Canada), not foot prints.
Mike Knetzger probably had more to say because he’s an author himself. His stepdaughter was killed by an impaired driver one night when he was on duty, and he was unable to save her life. In response, he wrote the book Ashley’s Story, and he speaks out against impaired driving across the Midwest. You can support his cause by buying his book, as I did.

My profound thanks to these officers, and the ones who keep us safe in our beds every night.

Support our police. Support our people. Surely we can do both.

23 August 2016

Dare to Be Bad: Human Remains


Once upon a time, two writers challenged each other to write a story a week. It didn’t have to be good. In fact, their motto was “Dare to Be Bad.” But it had to be done at the end of the week.
If a writer failed to write a story, s/he had to buy the other a steak dinner. Because they were poor, this was great incentive.

They wrote a story a week. They mailed the stories to editors instead of obsessively rewriting. They got better and better. You may recognize their names today as Nina Kiriki Hoffman and Dean Wesley Smith. I met them when I was a winner in Writers of the Future in 2000 and found both of them inspiring.

Karen Abrahamson,
Jay Lake,
Dean Wesley Smith,
Leslie Claire Walker
After going to Writers Police Academy this month, I realized that part of the reason that I was locked up on the fifth Hope Sze book, Human Remains, was that I wanted it to be amazeballs.

Now I still want it to delight, entertain, shock, and thrill, but I also want it to be done. And I want to loosen up about making it perfect.

William Stanford, Ph.D.
I also got a jump start in June when I visited the stem cell lab of William Stanford, in Ottawa. He kindly gave me a tour and okayed the science in the following excerpt, which may or may not make the final cut of the book, but will probably teach you about CRISPR and other awesome innovations.

Rough draft excerpt of Human Remains, by Melissa Yi

“Do you know what CRISPR is?” said Tom, the head of the stem cell lab. He pronounced it crisper, which made me think about my parents’ overstuffed refrigerator and/or the best potato chips.
“I do.” I swallowed and tried not to look obvious about it. Medicine teaches you not to show fear. Tom’s eyes were kind and steady on mine, but I’ve seen preceptors act super understanding to your face and then sabotage you with a substandard evaluation. “At least I understand the concept of cutting genetic code with ‘scissors’ made of clustered regularly interspaced short palindromic repeats.”
That’s another evaluation trick. If you can spout jargon immediately and correctly, they’re more likely to nod and leave you alone. I wasn’t getting the vibe that Tom was hostile—quite the opposite, actually—but I needed a good evaluation on this rotation, or Ottawa wouldn’t accept me and McGill might fail me, both of which would torpedo my career.
Tom rubbed his chin and gazed out his window. Of course, it was a sign of status that he had a corner office with a window, but I got the feeling that he would’ve hung out in a sun-free basement for decades as long as it meant he could research stem cells. I relaxed a smidgen. He said, “Do you know the back story? I wouldn’t expect you to, but it’s fascinating.”
I nodded and smiled. Yes, please. Tell me the story. If you get them talking while you ask intelligent questions, they recall you fondly on your evals, and there’s less of a chance you get tripped up on weird questions about DNA sequences.
He said, “Yoshizumi Ishino first noticed these repeating DNA sequences in E. Coli in 1987. They were separated by short unique clusters of DNA, which was strange, because repeated DNA usually appears consecutively.”
My mind was already ping-ponging around. E. Coli causes a lot of urinary tract infections and is therefore considered my personal enemy. But I tried to contribute to the conversation. “Yes, I listened to a podcast on it. They compared it to sounds. So the repeat DNA sequences sounds like”—oh, God, now I was going to have to do it. I honked. Tom stared at me while I honked like a duck, five times, my cheeks burning. “And the sequences in between are all different. Like…” I honked, made an eee! sound, honked, oohed, honked, clicked, honked, oinked, honked, and meowed.
Tom stared at me. “I have never heard it explained it that way before. Which podcast was this?”
“Radiolab.” My friend Tori had sent me the link. Thank you, Tori. “They had better sounds, of course.”
“No, I like yours. I’m going to use that in my next lecture. That should wake ’em up.”
“I’ll send you the link.” I don’t know if I’ve ever been more embarrassed in a professional lab. But I could also tell I’d won him over within the first hour of arrival, which boded much better for me getting a stellar reference letter. I resisted the urge to cross my fingers.
“Did they also explain what CRISPR does?”
“They said CRISPR was like a mug shot of the bacteria’s enemy viruses. Like, when a virus attacks, the bacteria send out the ground troops of their immune system, but most of the troops die”—just like marines. Just like Tucker and I almost did—“and so do the bacteria. But if the bacteria survive, their enzymes cut the viral DNA up and then store short sequences—the CRISPR—interspersed with their own DNA. That way, they can carry around mug shots, or most-wanted ID’s, of the viruses that almost killed them. So if they ever run into the same viruses again, they can ID them right away from the CRISPR and send out targeted forces to vanquish them, in the form of enzymes that will slice up the viral DNA.” Faster than cutting off a zombie’s head during the upcoming apocalypse, I wanted to add, but didn’t. He already thought I was weird enough. 
There were a lot of problems with my explanation. It was super basic. I wasn’t talking about B-cells or T-cells because Radiolab hadn’t. I couldn’t even talk intelligently about RNA. I was sketching the surface. If he asked me to dig deeper, I was pretty much toast. At least I got to sneak in the word “vanquish.”
“That’s pretty good,” said Tom, drawing his eyebrows together and pursing his lips. I couldn’t tell which way he was going, i.e. if he liked my explanation because it was understandable, or if it pained him because it was too low brow. “Did they talk about Cas?”
“Not so much, but I know they’re the enzymes that do the actual cutting.” On of the online science articles, a commentator had lamented that Cas9 and other enzymes do all the work, but CRISPR gets all the credit. Another commenter said that CRISPR had the sexier name. They were a team, though. CRISPR identifies the bad guys, and then Cas9 or another enzyme will step up and do the slice and dice. Like a sheriff and an executioner, although I don’t know the legal or immune system well enough to give a proper analogy.
“And do you know how CRISPR and Cas are revolutionizing research?”
My turn not to grimace. He was a tougher customer than I thought. “I know that this technique is faster, cheaper, and more precise way to cut a gene sequence than we’ve ever had before. I know that once you cut out the sequence you don’t want, all you have to do is plant another sequence you do want, and the bacteria will help mend it by replacing the bad sequence, so the media is already fantasizing about designer babies. I know that zinc finger nuclease and transcription activator-like effector nucleases can handle longer DNA sequences, but they’re slower and less likely to work.”
“And knockout mice?”
I was starting to sweat. I’ve never worked with mice. It’s a miracle I ever got into medical school. Luckily, Tori had told me a little about her research with mice whose genes that have been disabled, or knocked out. “You used to have to inject altered DNA from embryonic stem cells and hope that they’d get incorporated through homologous recombination.” He didn’t blink. Using jargon didn’t impress him. I guess, for him, it was about as jaw-dropping as an ingrown toenail was to me. Damn
it. “The mice that successfully incorporated the altered DNA were called chimeras. Then you’d hope that the chimeras would breed and make more mutant DNA, so by the third generation, maybe you’d get a mouse with both copies of the mutant allele. But with CRISPR/Cas9, the system edits the gene right away, and the first generation has the mutation.”
Tom smiled. “Why stop with one mutant gene? We could do five at the same time. CRISPR is also the best cross-species technique so far. We used to confine ourselves to mice, rats, fruit flies, zebra fish, and C. elegans, but right now, I’m waiting to see if there’s a species that CRISPR doesn’t work in.”
I hesitated, checking his eyes to see if my explanation was good enough. I held my breath, praying that he wouldn’t ask what C. elegans was. Dear Supreme Being, should you happen to exist and care to hear my pleas, if Tom doesn’t ask me about C. elegans, I promise I’ll look it up later.
He high fived me. “Good enough! You’re the first person who ever honked at me to explain CRISPR.”
I sighed, a mix of relief and despair, while he reached for the doorknob of the pale wooden door behind his desk. It opened directly into his lab. He said, “That’s great. You’re going to fit in here just fine.”
He waited for me to enter, so I did, and he said to my back, “You’ll have to tell me about the dead body another time, though.”

There you have it. I am officially daring to be bad. I'm posting the opening chapter of Human Remains on my website as well.

How about you? Dare to be bad?

03 November 2015

Do you like to read, but you're leery of buying bad books? I can help.

by Melissa Yi


Q. What the heck is a StoryBundle?

A. Jason Chen, founder:
I started StoryBundle because back in 2012, video game bundles and app bundles were extremely popular, and no one had yet applied the same idea to ebooks. When I looked around (because I’m a reader myself) to try and find a way to discover lots of new-to-me authors in genres I already like, it was pretty difficult without spending hours reading reviews and trudging through sales lists. Plus, since these are authors I haven’t tried before, I may be left with hit-or-miss quality. Having curated bundles where quality is guaranteed AND readers can set the price solves both these issues.

Q. Okay. Why should I buy this StoryBundle?

A. Kristine Kathryn Rusch, editor:
The Dark Justice bundle comes as close to crime fiction perfection as possible.
It boasts one Grand Master, several award-winners, bestsellers who've hit lists like the New York Times and USA Today with multiple books, household names, and writers who've just entered the mystery field—sometimes with a bang.

We also have a lot of diversity here. Our investigators include an African American detective, a Canadian doctor of Asian extraction, a disabled stockbroker and a group of retired cold case detectives. Throw in a few amateur detectives, a disgraced ex-cop, a female bounty hunter, and the famous Matthew Scudder, who has appeared in film (most recently A Walk Among The Tombstones), and you'll encounter the full range of characters the mystery genre has to offer.
I've read and loved the work of each and every one of these writers. Some of them I've read since I started reading mystery and some I've read since before they ever had a book published. In one of my other incarnations, I'm an award-winning editor, so believe me when I tell you that if there were some kind of Kristine Kathryn Rusch Gold Seal of Approval, the books in this bundle would receive it.
Q. Hmm. Well, I'm cheap. I don't know if I should buy it.
A. Kris: For those of you who have never purchased a bundle from StoryBundle before, welcome! StoryBundle makes ordering and downloading these books spectacularly easy.
The initial titles in the Dark Justice Bundle (minimum $5 to purchase) are:
If you pay more than the bonus price of just $15, you get all five of the regular titles, plus these outstanding books:
Q. I'm REALLY cheap. What if I don't want to spend $5?

A. Win the Dark Justice StoryBundle just by commenting on this blog. One winner will be selected tomorrow. To multiply your chances, subscribe to Melissa Yi's newsletter and comment on her related blog and Facebook post. Quadruple your chances by doing all four!

Q. I want to hear from the authors themselves. Why do you write mysteries?

Julie Hyzy: I know this isn’t an original answer, but I have to credit Nancy Drew. She was my gateway to mystery reading and also – in many respects – to writing. My first novel (at about age 10) was The Case of the Whispering Hills. I illustrated the book myself, too (natch).

Melissa Yi: As an emergency doctor, I occasionally confront evil. Mystery allows me to fictionalize it and deliver some form of justice in the end.

Patrice Greenwood: I like reading them, so I thought I'd give writing them a try. Turns out that's fun, so I've kept at it.

David DeLee: First of all, mysteries are what I grew up on. From the Hardy Boys to Ross MacDonald’s Lew Archer to today’s masters like Michael Connelly and Robert Crais. It’s a genre I’ve always adored. The other reason is that mysteries try to make sense of what in real life is often senseless. Violence. Murder. Serial killers. Mysteries are about a larger than life character who will risk it all to seek answer, to explain the unexplainable, to get justice for these horrible acts. What’s not to love?

Kris Nelscott: I love mysteries. I think they're my favorite genre. I put mystery—crime, really—in almost every genre I write.

Rebecca Cantrell: Because I am fascinated by worlds where characters wrestle with the question of what’s right and what’s wrong. My characters like to see justice done, but justice is never as simple and straightforward as I would like, so my books spend a lot of time looking at shades of gray.
As a kid my family referred to this as my “overblown sense of justice” and “belief that, all evidence to the contrary, the world should be fair.” Guilty.

Q. Hmm. Well, what's so great about your bundle book?

Rebecca Cantrell: The World Beneath introduces Joe Tesla. He’s a complicated guy—a brilliant software engineer who started a multimillion dollar company but is struck by agoraphobia on the day he’s supposed to ring the bell on Wall Street to take his company public. The agoraphobia is so extreme that he can’t go outside at all, and he spends the series trying to determine what caused it while exploring the tunnels under New York City. Since he can’t go outside, he makes the inside bigger. Since he can’t find justice for himself, he starts to search for justice for others. The book also won the International Thriller Writers award for Best Ebook Original. Oh, and he has a service dog named Edison who steals every scene he’s in (note: the dog does not die in the books).

Julie Hyzy: My bundle book, Playing With Matches, is very special to me because it’s not the least bit cozy. For the past seven years or so, I’ve had some success [Editor: NYT-bestselling success] writing cozy mysteries. I love them, I truly do, but I started out with edgier themes, and Playing With Matches brings me back to my writing roots. Riley Drake (my protagonist) is a female PI in Chicago. She swears, she drinks, and she beats up a troublemaker by page 2.

Melissa Yi: CODE BLUES introduces the world to Dr. Hope Sze, my alter ego who discovers murderers within the decaying medical system of Montreal, Canada. When I was a resident doctor, I barely had time to tie my shoes, let alone solve crimes and romance two different guys, but that’s the beauty of fiction.

Patrice Greenwood: It's set in Santa Fe, New Mexico, one of my favorite places in the world. The main character is just opening a tearoom in a Victorian house there, so there's lots of history, tea and its rituals, and of course a dash of murder.

David DeLee: FATAL DESTINY features a strong half-Latina, half-Irish female bounty hunter who takes on the world in her own way, and with a pretty cynical attitude toward people and the criminal justice system—with good reason. In FATAL DESTINY Grace faces a defining question: Are people, including herself, defined by their past or can they escape who they were and what they’ve done and become something better?

Kris Nelscott: The book I've contributed to the bundle is the very first Smokey Dalton novel. Honestly, I wrote the novel as a classic mystery—a rich blond walks into a detective's office with a strange problem that needs investigating. The detective, Smokey Dalton, is an African American who grew up with Martin Luther King. I thought the setting was the unusual bit—Memphis in 1968, just before King's assassination. Imagine my surprise when everyone decided the entire story was unusual. I bow to readers. Apparently I hit something with this series, which explores American history from a perspective not seen often enough in fiction—that of the African American community. The series has hit bestseller lists, won awards, hit recommended lists from libraries all over the country (including the New York Public Library) and has a rabid following.

Q. I might take a look. How do I get it?
A. https://storybundle.com/crime until November 19th.
Plus, one lucky winner will be chosen from each of the following lists on Wednesday, Nov. 4th:
1. One Sleuthsayer. Comment now, on this post, to win.
2. One subscriber to Melissa Yi's newsletter. Just sign up on her website landing page--link at the top & form at the bottom.
3. One commenter on Melissa Yi's Dark Justice blog post.
4. One participant on Melissa Yi's Dark Justice Facebook post.
5. Audience member at Vanier College. Claimed!

Happy reading!


11 August 2015

No Plot. Mo' Problem.

by Melissa Yi

Do you like to plot your story, point by point?

Fantasy writer Tim Powers advocated this method at my Writers of the Future winners’ workshop. He outlines his novel meticulously, sells it on proposal, and then never gets writers’ block because he just follows the outline he already wrote.

Sounds perfect, right? Except I like to just run to the computer and type madly, before my kids wake up and/or I have to run to work. Sometimes, I have almost no idea what came out of my fingers, except it was up to 1000 words and I’m done for the day.
My kids need supervision.

It means I’m a pantser (as in “flying by the seat of”). I let my characters shoot off their mouths, and possibly other body parts. They run into and out of danger. It’s a lot of fun. My characters really do surprise me, and my subconscious brain comes up with a lot of bizarre plot twists.

So the good news is that I’m 66,000 words into my latest Hope Sze novel, Human Remains.

The bad news is that I haven’t decided on a plot.

For me, if I don’t have a good plot, I don’t have the backbone of my mystery. Even though Kris Rusch and Dean Wesley Smith teach that character and setting are the keys of mystery, especially important in a series character, I just can’t get a handle on a book when I’m constantly spinning new plot points and antagonists. It’s CRAZY.

Usually, I end up punching a bunch of words out, throwing half of them in the garbage, then stitching the survivors into a slamming good story, but it takes me so much time and energy that I spend a year or longer writing each mystery and I’m wrung out by the end of it.

So I probably should plot more.

What about you? Do you like to write into the darkness, or craft each scene in advance?A lil’ bit o’ both? Or just check out some illustrious suggestions from Jan Grape, which I discovered after I’d already written this column….