|Types of Literature|
I thought for this post I’d throw in my two cents on the controversy of literary versus genre fiction. We read stories to vicariously satisfy our desire for pleasure and to sometimes explain reality. So why the separation? To satisfy our need to categorize to avoid confusion, to clarify in our minds how the world works. Enough philosophizing. On to my meditation on the subject.
The argument boils down to this: genre fiction is plot driven and literary fiction is character or theme driven. Literary fiction appeals to our intellect and emotions while genre appeals only to our emotions.
Although readers may get more out of fiction than entertainment, stories above all should entertain. But no matter whether it is genre or literary fiction, both require craftsmanship, for it is in the craft that effects on the reader are achieved. I admit in some genre stories the line between good and evil are sharp and clear and may not be so clear in literary fiction, but isn’t it possible that the clarity can make you as a reader think seriously about the human condition? And isn’t it possible that literary stories may be read for sheer enjoyment without any deep thinking about the human condition?
In an attempt to clarify the situation in my mind, I analyzed two crime stories, one literary and the other genre, by two great writers.
In Hemingway’s story “The Killers,” two hoods, Max and Al, enter a diner and tells the counter man, George, the black cook Sam, and Nick Adams that they are there to kill Ole Andreson. The killers leave without hurting anyone because Ole, a former boxer, failed to come to the diner that day. When Nick later tells Ole about the two men, he says there is nothing he can do. He is resigned to his fate. The story certainly is not plot driven for what little plot there is suggests more than shows what is happening in Ole’s mind. The story is literary fiction.
Hammett’s “The Man Who Killed Dan Odams” is a plot-driven story about how a woman outwits the man who killed her husband. The man who killed Dan Odams escapes from jail and takes refuge in a house with a woman and her 12 year-old son, not knowing she is Dan Odams’s widow. She recognizes him and tricks him into believing she sent her son outside to watch for his pursuers. The son in fact runs to a neighbor’s place for help. As he is dying, realizing the woman is Dan Odams’s widow, the fugitive expresses admiration for her avenging her husband’s murder. No question the story is plot driven.
Neither story enticed me to think very seriously about fatalism or revenge. I simply enjoyed reading them.
I also analyzed and enjoyed a story by a not so well known writer that made me think. In “A Jury of Her Peers” by Susan Glaspell, John Wright is murdered in his bed. His wife Minnie is suspected since she was the only other person in the house, but the men, Mr. Hale, who found the body, the sheriff, and the county attorney, don’t find any convincing evidence in the bedroom crime scene that would convict her. The two women, Mrs. Hale, and Mrs. Peters, the sheriff’s wife, inspecting Minnie’s things in the kitchen, find an empty bird cage. The dead bird they find in the sewing basket suggests Minnie had taken as much abuse from John as she could and his killing her bird was the proverbial last straw. This story made me think about the perennial theme of how women and men see things differently.
Literary or genre fiction, does it really matter so long as you enjoy the story. Like Daniel Abrahams on the SFsignal website in his essay “A Private Letter from Genre to Literature,” I too plead, “Please, please, darling let us stop this.This artificial separation between us is painful, it is undignified, and it fools no one.”
Except maybe a few literary critics.
|I'm So Confused|